Mashable

TL;DR: Live stream Pegula vs. Rybakina in the 2026 Australian Open for free on 9Now. Access this free streaming platform from anywhere in the world with ExpressVPN.

The 2026 Australian Open final is calling for Pegula and Rybakina. Both players have looked incredibly impressive on their way to this fascinating semi-final matchup. In fact, neither player has lost a single set.

Something has got to give when they come together to battle it out for a place in the showpiece event taking place this weekend.

If you want to watch Pegula vs. Rybakina in the 2026 Australian Open for free from anywhere in the world, we have all the information you need.

How to watch Pegula vs. Rybakina for free

Pegula vs. Rybakina in the 2026 Australian Open is available to live stream for free on 9Now.

9Now is geo-restricted to Australia, but anyone can access this free streaming platform with a VPN. These handy tools can hide your real IP address (digital location) and connect you to a secure server in Australia, meaning you can unblock 9Now from anywhere in the world.

Access free live streams of the 2026 Australian Open by following these simple steps:

1. Subscribe to a streaming-friendly VPN (like ExpressVPN)

2. Download the app to your device of choice (the best VPNs have apps for Windows, Mac, iOS, Android, Linux, and more)

3. Open up the app and connect to a server in Australia

4. Visit 9Now

5. Watch the 2026 Australian Open for free from anywhere in the world

Opens in a new window Credit: ExpressVPN ExpressVPN (1-Month Plan) $12.99 only at ExpressVPN (with money-back guarantee) Get Deal

The best VPNs for streaming are not free, but leading services do tend to offer deals such as free-trial periods or money-back guarantees. By leveraging these deals, you can live stream Pegula vs. Rybakina without actually spending anything. This isn't a long-term solution, but it gives you enough time to watch the Australian Open before recovering your investment.

What is the best VPN for 9Now?

ExpressVPN is the best service for bypassing geo-restrictions to stream live tennis on 9Now, for a number of reasons:

• Servers in 105 countries including Australia

• Easy-to-use app available on all major devices including iPhone, Android, Windows, Mac, and more

• Strict no-logging policy so your data is always secure

• Fast connection speeds

• Up to 10 simultaneous connections

• 30-day money-back guarantee

A one-year subscription to ExpressVPN is on sale for $59.88 and includes an extra three months for free — 69% off for a limited time. This plan also includes a generous 30-day money-back guarantee. Alternatively, you can get a one-month plan for just $12.99 (with money-back guarantee).

Live stream Pegula vs. Rybakina in the 2026 Australian Open for free with ExpressVPN.

Stephen Colbert has mocked U.S. Secretary of Homeland Security Kristi Noem's attempts to walk back her allegations against nurse Alex Pretti, who was shot dead by ICE on Saturday. Noem quickly accused Pretti of "domestic terrorism" after he was killed, though provided no evidence to back up her claims. Widespread video evidence also appeared to debunk the narrative that he was attacking ICE agents, showing that Pretti never drew his firearm, and that said agents had removed it from his holster before he was shot.

Now the Trump administration is backtracking, and apparently throwing each other under the bus in the process. While a few Republicans have called for her resignation, Noem has claimed that she only acted according to the direction of President Donald Trump and U.S. Homeland Security Advisor Stephen Miller.

"Oh, so you were just following orders," said Colbert. "This was all just a nothingburger. Oh, I'm sorry. I misread that. It's a Nuremberg-er."

The Nuremberg defense, also known as the superior orders defence, is a legal plea arguing that an individual should not be found guilty for carrying out crimes if they were ordered to do so by their superior. This defence was famously attempted during the Nuremberg trials, which prosecuted Nazi war criminals following World War II. The defence was rejected.

Colbert further noted that while Noem claimed that she was simply following directions, Miller has stated that his comments were based on information provided by Customs and Border Protection.

"So Kristi Noem, who runs Customs and Border Protection, heard it from Stephen Miller, who says he heard it from Customs and Border Protection, run by Kristi Noem," said Colbert. "This is a real snake eating its own tail, which I believe is how Stephen Miller reproduces."

If you planned on buying a Tesla Model S or a Model X, better hurry: These two models will be discontinued soon.

The plan was mentioned by company CEO Elon Musk during Tesla's earnings call on Wednesday. It was later confirmed in a tweet from Tesla's official account.

This Tweet is currently unavailable. It might be loading or has been removed.

"As we shift to an autonomous future, Model S & X production will wind down next quarter," the tweet said. "If you’d like to own one of them, now’s a good time to place your order."

The move doesn't come as complete surprise. Tesla kept its two premium models alive with small updates over the years, but never really gave either model the complete overhaul it deserved (this especially goes for the Model X, which still looks almost the same now as it did when it first launched in 2015).

Instead, the company focused on its best-selling SUV and sedan, the Model Y, and Model 3, while sales of the Model S and X dwindled. When reporting sales, Tesla lumps all of its premium models together in the "other models" category, and in the last quarter of 2025, it sold only 11,642 of these, a 51 percent year-over-year decrease.

Still, the discontinuation of Model S and X is a huge deal for the company and will likely cause a lot of grumpiness among fans. The Tesla Model S was the company's first family sedan, and the first car it sold at any sort of meaningful volume (the Tesla Roadster was the original Tesla car, but it was more of a showcase of what electric cars can do).

Perhaps most importantly, unless it comes up with something new, Tesla will now have a pretty big gap in its lineup. The Model 3 and Y are a compact sedan and SUV, respectively. The Model S is a large family sedan, and the fastest Tesla car you can get; The Model X is the company's most luxurious vehicle and the only truly large family SUV it had in its lineup.

Now, if you want something a bit more posh or spacious from Tesla, you'll have to go for the divisive Cybertruck, which is selling abysmally. That "other models" category we mentioned above? It also includes the Cybertruck and Tesla Semi.

Tesla's next car should be the self-driving Cybercab/Robotaxi, which isn't something regular people will want to own. The much-delayed new Tesla Roadster should arrive in 2027, but that's a pretty extreme sports car that even Elon Musk admits not everyone should own.

SEE ALSO: Tesla cars in the U.S. no longer come with Autopilot

Instead, Tesla is increasingly focusing on its humanoid robot, Optimus. In fact, the company's production line in Fremont, California, where it used to manufacture the Model S and X, will now be replaced by a production line for Optimus.

What about the cars, though? Per Elon Musk: "The only vehicles that we'll make will be autonomous vehicles, with the exception of the next generation Roadster."

After three seasons of waltzing around it, Bridgerton has finally taken a lesson from Downton Abbey and properly addressed the c-word: class. But it's complicated.

Though Shonda Rhimes' Netflix series has long luxuriated in the ballroom gowns, glimmering tea sets, and manicured lawns of the nobility, it has avoided any direct confrontation with the complicated social structure of Regency society, instead living in a fantasy for three seasons. The show's multiracial casting has raised conversations about historical context, but class politics hasn't played a major part in the narrative, only being glimpsed fleetingly through characters like Lady Whistledown's printing press staff and the Featheringtons' fiercely loyal housekeeper, Mrs. Varley (Lorraine Ashbourne). The bourgeoisie have had their moments — the Mondriches' (Martins Imhangbe and Emma Naomi) social standing rose in Season 3 — but the working class has never starred in their own storyline.

So Season 4 comes as a refreshing surprise, as Bridgerton actually gives airtime (and names) to the folks who keep the Ton and the houses of nobility running. Namely, the sublime Sophie Baek (Yerin Ha), a Cinderella-channelling maid in disguise who meet-cutes Benedict Bridgerton (Luke Thompson) at his family's own fancy masquerade ball. She knows who he is. He doesn't have the foggiest.

Featured Video For You ‘Bridgerton’ Season 3 has the internet upset for all the wrong reasons

"Having one half of a Bridgerton couple be a servant immediately injects the show with new energy," Mashable's Belen Edwards writes in her review. "The Downton Abbey-esque move offers up a much-needed new perspective on the Ton, one where we see the work that goes into maintaining its lush fantasy. It also prepares the audience to see the world through Sophie's eyes."

Though it wasn't perfect in its representation of class divide, Julian Fellowes' Downton Abbey became synonymous with its social commentary on the overlap between the aristocracy and their servants under the same roof, the "upstairs" and the "downstairs." Like Bridgerton, Downton somewhat unrealistically presents members of the English nobility as benevolent pals of their servants, while the social line between them remains — this becomes an issue in Bridgerton this season with Mrs Varley's treatement by Portia Featherington (Polly Walker). The storylines involving the upper classes are undeniably prioritised in both series, with everyone else constantly dreaming of moving up, of "bettering" themselves. As Lady Whistledown writes in Season 4, episode 1 of Bridgerton, "This author knows best that a small amount of make-believe often has the power to remake reality to lift us up from the drudgery of a humdrum existence." Girl, steady on.

Yerin Ha and Luke Thompson in "Bridgerton." Credit: Liam Daniel / Netflix

This season, our lovers are from two households, both alike in dignity, but they're sleeping on different floors — one upstairs, one downstairs. Through Sophie's socially complicated backstory and Benedict's flippant privilege, the show asks interesting questions about class, inheritance, and Regency society. And it's not just because Benedict cannot marry someone from a lower social class; we've seen this love story before in Jane Austen's Pride and Prejudice (though heroine Elizabeth Bennet hails from the country gentry, not the working class). Bridgerton leans more into the practical implications of a class divide between protagonists. Sophie needs stable employment to survive, period — Season 3 also examined the sexist links between romance and "financial security" for women. When Benedict saves Sophie from an abusive employer, she's frustrated knowing she has little chance of finding another job. Yes, Bridgerton is a fantasy, but it makes contextual sense for this woman to fear losing her role, despite the open threat within her workplace. Benedict jumps into saviour mode, employing Sophie in his own home while foolishly pretending the unequal power dynamic won't impact their crush. He's wrong. And don't even get me started about the amount of Bridgertons shocked over Sophie being an educated maid.

Wait, this isn't a still from "Downton Abbey"? Credit: Liam Daniel / Netflix

With this Cinderella story afoot, it's prudent for showrunner Jess Brownell to take a leaf from Downton and spend actual time "downstairs." (Even Jane Austen herself made room to acknowledge the inability of the rich to function without servants.) So, we meet the Bridgerton House staff, including housekeeper, lady's maid, and event manager Mrs. Wilson (Geraldine Alexander). From director of photography Jeffrey Jur and editor David Greenspan, we're given shots of the servants fluffing pillows, dusting pianos, folding sheets. We follow Mrs. Wilson into the kitchen, pantry, and scullery where napkins are being pressed, pheasants plucked, dough rolled, and staff reprimanded for leaving bootprints in the hall. We observe who delivers the desserts and dance cards for the Bridgertons' masquerade ball. "Thrilling for them, chaos for us," Footman John (Oli Higginson) remarks.

Just like the famous bell board of Downton, we see just how many rooms the staff in Bridgerton must manage, with various shots of the bells connected to Lady Violet's (Ruth Gemmell) room, the dressing room, and the children's bedrooms. We later see the same bell service setup in the servants' quarters of Lady Araminta Gun (Katie Leung)'s home, Penwood House. In these quarters, we meet servants like Celia (Sophie Lamont) of Bridgerton House, and Sophie's fellow servants Alfie (David Moorst) and Irma (Fiona Marr), who get their own scenes largely making fun of their employers — once, Mrs. Wilson remarks that the Bridgertons having children means more work for the servants: "They're sweet as long as you are not the one who has to look after them and mind their cries." And the Crabtrees (Susan Brown and Billy Boyle) should know — the pair who turn up in episode 3 manage Benedict's "cottage" have basically raised him since working at Bridgerton House.

Oli Higginson, Sophie Lamont, and Geraldine Alexander in "Bridgerton." Credit: Liam Daniel / Netflix

Crucially, servants see behind the curtain in pristine Regency households (they're the ones drawing them, after all). The value of keeping up appearances can easily make way for gossip between household staff — and as Lady Whistledown can attest, information is power, especially in the marriage mart. Mrs. Varley would do anything for the Featheringtons to shield them from public ruin, and has. In Season 4, we see Bridgerton staffers, including valet Hatch (Esh Alladi), covering for Benedict's rakish behaviour on more than one occasion. Mrs. Wilson is Lady Violet's closest confidante, becoming the ultimate wingwoman. In fact, Bridgerton champions the value of servants so hard this season it muscles in a storyline referred to by Lady Whistledown as "the Maid War," in which staff are in such short supply that households are fighting over them — and Lady Araminta pretty much wins this war by offering higher wages. Shocking.

Make no mistake, Bridgerton Season 4 still holds the aristocracy as its core, covetable class, just as Downton did. In fact, Lady Araminta tells Sophie that impersonating nobility is a "crime." However, it's high time the show gives its working class characters dialogue and importance to the series narrative. It's not perfect, but it's a start.

Bridgerton Season 4, Part 1 is now streaming on Netflix. Part 2 premieres Feb. 26.

Bridgerton has never met a romance trope it didn't love.

Season 1 introduced us to the fake relationship-turned-true love of Daphne Bridgerton (Phoebe Dynevor) and Simon Hastings (Regé-Jean Page). Season 2's Anthony Bridgerton (Jonathan Bailey) and Kate Sharma (Simone Ashley) ushered in Bridgerton's swoon-worthy take on enemies-to-lovers, and Season 3 paid off Penelope Featherington (Nicola Coughlan) and Colin Bridgerton's (Luke Newton) slow burn friends-to-lovers arc.

SEE ALSO: Everything you need to remember before 'Bridgerton' Season 4

Now in Season 4, Bridgerton turns to another timeless romance trope: that of the Cinderella story. And the results, like any good fairy tale love story, will sweep you off your feet.

What's Bridgerton Season 4 about? Yerin Ha and Luke Thompson in "Bridgerton." Credit: Liam Daniel / Netflix

Playing the role of Bridgerton Season 4's Prince Charming is none other than Benedict Bridgerton (Luke Thompson). The family's second son and eternal rake spent the first three seasons pursuing an art career, exploring his queerness, and just mostly having a fun, if irresponsible, time about town. In Season 4, he steps into the spotlight, albeit through no desire of his own. Bridgerton matriarch Lady Violet (Ruth Gemmell) is tired of her son's carousing and demands that he set his sights on marriage. Just like that, Benedict is on the market — and he's Queen Charlotte's (Golda Rosheuvel) favorite prospect.

So who is our Cinderella to Benedict's Prince Charming? Newcomer Sophie Baek (Yerin Ha), the servant to widow Lady Araminta Penwood (Katie Leung) and her two daughters.

SEE ALSO: 'Bridgerton' Season 4 finally wants to talk about class

Having one half of a Bridgerton couple be a servant immediately injects the show with new energy. Throughout the series, we've primarily seen the "upstairs" of the Bridgerton household. That all changes in Season 4's first moments, which bring us "downstairs," where all manner of servants toil away to make sure the Bridgertons' teas and balls go off without a hitch. We see them fashioning showstopping desserts, debating dance card logistics, and even gossiping about the Bridgerton family while waiting on them. The Downton Abbey-esque move offers up a much-needed new perspective on the ton, one where we see the work that goes into maintaining its lush fantasy. It also prepares the audience to see the world through Sophie's eyes.

Sophie Baek and Benedict Bridgerton have impeccable chemistry. Yerin Ha and Luke Thompson in "Bridgerton." Credit: Liam Daniel / Netflix

When you first meet Sophie, you won't know right away that she's a servant. That's because she's at the Bridgertons' lavish masquerade ball to open the season. Hidden behind a silver mask and matching gown, she could be anyone. Yet even a disguise can't hide Sophie's wonder at the spectacle of the ball, an appreciation that endears her immediately to Benedict, who's already tired of the advances of young women clamoring for marriage. It's not long before sparks fly between the two as they share a private dance lesson full of witty repartee, longing glances, and sensuous glove touches. Gentle reader, I was kicking my feet so much during this scene, you might be fooled into thinking I was a soccer player.

Of course, like all good Cinderella stories go, the clock must strike midnight, and the mysterious princess must run back to her humble beginnings, but not before leaving behind a token of sorts. Don't fret: Benedict and Sophie will cross paths again. This time there are no masks between them, yet this makes their blooming romance all the more difficult. Benedict cannot marry a woman below his social class, nor can he fully forget the Lady in Silver he fell for at the ball. So begins what feels like a love triangle between two people: Benedict, Sophie, and Sophie's alter ego.

SEE ALSO: 'Bridgerton' Season 4 soundtrack, song-by-song

The hidden identities of it all risks becoming infuriating. (How many times did I yell, "Just tell him!" at Sophie? Too many to count!) Yet Ha and Thompson's performances manage to sell even the most ridiculous plot contrivances.

Let's start with Benedict's seeming inability to recognize a woman's voice or face. What could be sheer stupidity transforms into daffy unawareness thanks to Thompson's affable turn as a (mostly) oblivious noble man. Sorry to the Benedict haters, but for all his faults, the man is impossibly charming, and a damn delightful romantic lead.

Where Benedict is charming and free-spirited, treating the world as an adventure, Sophie is cautious. As a servant to a cruel family, she can't afford to take anything for granted, and Ha carries the weight of that harsh reality in every scene. Yet when she and Benedict cross paths, she lights up, and he learns to listen better — even empathizing with the young débutantes he used to scorn. People use the phrase "they complete each other" often in romances, and here, it's triply true. Sophie brings Benedict some much-needed seriousness, while he brings her some much-needed joy, and what follows is a potent cocktail of sweet banter and quiet yearning.

Bridgerton still suffers from too many side plots. Golda Rosheuvel and Hugh Sachs in "Bridgerton." Credit: Liam Daniel / Netflix

Bridgerton Season 4 is blessed with an enchanting central couple and two luminous lead performances. So why does it keep cutting away from them?

Bridgerton's glut of subplots isn't a new problem, although it became exceptionally glaring in Season 3, when it robbed us of further development of Penelope and Colin's relationship. That issue persists in Season 4, with Bridgerton overstuffing its episodes fit to bursting.

Some of these subplots work well. Everything Leung does as Lady Araminta is delightfully sinister, and Violet's tentative courtship with Marcus Anderson (Daniel Francis) is a moving examination of finding love long after the loss of a partner. Others, on the other hand, are less successful. A growing rift between Queen Charlotte and Lady Danbury (Adjoa Andoh) nicely complicates one of the show's longest standing relationships, but it's not long before it feels like Bridgerton is spinning its wheels with these two. The same goes for Francesca's (Hannah Dodd) sexual dissatisfaction with her husband, Lord John Stirling (Victor Alli). While the story leads to some funny, then downright sweet moments, it also suffers from being a relationship caught in the shadow of Sophie and Benedict's. To paraphrase The Simpsons, whenever Sophie and Benedict aren't on screen, everyone should be asking, where are Sophie and Benedict?

Contrast Bridgerton's desire to heavily populate its world beyond its lead romance with the hottest show right now, Heated Rivalry. (Spoiler alert: Both shows involve key trips to a "cottage" that is actually a big-ass house.) That series succeeds thanks to its tight focus on its central couple, to the point that the rest of the world fades away to give them more space. In Bridgerton, the rest of the world is often overbearing. Not in a "These societal expectations are crushing us!" kind of way, but more in a "Wait, we're leaving Benedict and Sophie behind again?" kind of way.

Thankfully, the power of Sophie and Benedict remains strong enough to fuel the first half of Bridgerton's otherwise captivating Season 4. As Cinderella stories go, it's downright enchanting.

Bridgerton Season 4, Part 1 is now streaming on Netflix. Part 2 premieres Feb. 26.