Mashable

An invitation to an Apple event has long been something to brag about in the tech world. Now, for some influencers, it reportedly comes with business-class travel, a hotel stay, and time with the company's top executives.

On the Oct. 15 episode of Bloomberg's Power On podcast, Mark Gurman said he had confirmed that Apple offered influencers "paid hotel, paid business class travel" to attend its "Pro and Tell" product experience in Los Angeles, calling it a "creator-focused event." For the creators attending the upcoming Los Angeles showcase, Gurman described plans that include meetings with new Apple CEO John Ternus and other executives, plus dinner on Oct. 27, ahead of the company’s Oct. 28 special event.

SEE ALSO: Apple sets October 'Pro and Tell' special event in Los Angeles: What we know so far

This isn't the first time Apple has brought creators together for an exclusive experience. In March 2025, the company invited a group of student creators to Los Angeles for a one-day event that attendees nicknamed "Apple Campus" or "Apple University." For student and creator Heaven Marley, the invitation itself was a surprise. "I got the email and thought it was spam at first," she told People.

The company followed that with a similar creator gathering in Los Angeles this January. Creator Petr Mara shared an invitation to an "Apple Experience" running Jan. 27 to 29, coinciding with the launch of Apple Creator Studio, a subscription combining software for tasks such as editing video, making music, and working with images.

And, at the September iPhone event, livestreamer IShowSpeed performed a backflip while holding an iPhone Duo in front of Ternus. His video has more than 6 million views on YouTube as of Oct. 22. (Last year, MrBeast attended the event with former CEO Tim Cook.)

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Other tech companies already offer a similarly warm welcome to creators.

Bloomberg's Chris Welch also noted on the podcast episode that Samsung and Google cover travel and hotels and host dinners too, calling it "standard fare." Gurman agreed that Apple wasn’t doing anything outside its competitors' practices. What stood out to him, though, was the change from the days when an Apple invitation was enough:

"There was a time...people were begging to go," Gurman said. "It's not the other way around, typically."

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So what do companies get out of all this hospitality? Well, a chance to reach consumers through creators they already love. In a September analysis, Deloitte found that about 70 percent of U.S. consumers who engage with creators regularly return to the same ones; and roughly 60 percent said they had made a purchase primarily because of a creator's recommendation or sponsorship in the previous six months.

That appeal hasn’t gone unnoticed by the tech press. Discussing Apple's 2025 invitations on MacBreak Weekly, journalist Jason Snell argued that influencers can offer companies more control over their message, repeating promotional points "instead of questioning your points as a journalist might." And as tech reviewer Ben Sin wrote on X in March, "I completely understand why Apple is doing this," but described its "pivot to favoring giving access to lifestyle and overall influencers over techies" as "still sad news for me."

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Each brand has its own entry way into the creator economy. Take Samsung — Its "Team Galaxy” roster includes creators and other public figures, with model and creator Haley Baylee and musician Audrey Nuna joining this year. And for February’s Galaxy S26 launch, Samsung says it brought approximately 140 influencers from 35 countries to San Francisco for three days of product demos, content creation, and a closing celebration.

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As for AI companies, they face the unique challenge of trying to win over an often-skeptical public with plenty of questions about what AI means for jobs, creative work, and the environment. Influencers provide a layer of trust that they desperately need — which is probably why they are so sought-after right now.

"That’s the goal right now: build brand love," Anthropic's head of influencer, Lexie Barnhorn, told influencer marketing company Linqia. Claude recently hosted a supper club at Wild Cherry, the trendy restaurant inside New York's A24-owned Cherry Lane Theatre.

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Microsoft Copilot is trying to do the same. Last February, they brought a group of New York fashion influencers to the Super Bowl on an influencer brand trip, where they asked the AI platform questions like, "hey copilot how do you cure a hangover" and "how to get a stain out".

And in February, OpenAI sent a signal on their seriousness about influencer marketing when they hired former Instagram partnerships executive Charles Porch as its first vice president of global creative partnerships. By summer, the company was hosting creators at Wildflower Farms, a luxury resort in New York’s Hudson Valley, for a retreat featuring private cabins, monogrammed pajamas, and picturesque outdoor dinners. The company also hosted a ChatGPT influencer dinner in tandem with Brett Chody, which was held at Little Beach House Malibu, part of Soho House.

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"Creators are an important part of our community and how people get information and learn about our products today," an OpenAI spokesperson told Inc in August. "We value creators who choose to engage with us, attend our events, ask tough questions, and learn alongside everyone else."

SEE ALSO: OpenAI’s first brand trip puts influencers in the hot seat

As Mashable reported in August, OpenAI's nature-filled getaway to the Hudson Valley didn’t go over quite as planned. Beneath the lavish room tours and vacation posts, social media users questioned the setting and the creators' decision to attend.

"The concept of attending an AI brand trip surrounded by nature while it actively hurts the environment is an incredible bit," one X user wrote. On Reddit, a commenter asked whether one creator was "gazing at where the new data center is gonna go," while another asked, "Did they promise you fresh water when we run out?"

From a creator's perspective, though, there are many reasons to say yes to a brand event, trip, or collab, despite the criticism. Business creator Grace McCarrick defended the retreat as a chance to hear from the people shaping a technology likely to affect her work and her audience. "If I have the opportunity to be in the room and hear from people who are at the helm of change, I can do that," she said. "It's actually well within my moral system."

There's also a real financial incentive towards working with these brands: they have money to burn.

AI and career creator Megan Lieu, who attended the OpenAI retreat, told CNBC in February that her biggest sponsorship at that point was with Anthropic. She didn’t disclose its value, but said her sponsored deals generally ranged from $5,000 to $30,000.

Even so, some creators turn the offers down: Circus performer Jack Lepiarz, known as Jack the Whipper, told CNBC he had rejected a $20,000 deal promoting generative image tools over concerns about AI’s effect on people’s livelihoods.

That puts influencers in a complicated position. The relationship with their audience is part of what makes them valuable to a company; yet, accepting the partnership can put that same relationship under scrutiny.

But for tech brands, the decision is less complicated, with lots of potential benefits and few downsides. Influencers bring an audience with them; journalists bring questions they might not want to answer.

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Disclosure: Ziff Davis, Mashable’s parent company, filed a lawsuit against OpenAI in April 2025, alleging it infringed Ziff Davis’ copyrights in training and operating its AI systems.

SAVE $15.01: As of Oct. 23, the Anker Soundcore 2 is on sale for $29.98 at Amazon. That's a 33% discount on the list price.

Opens in a new window Credit: Anker Anker Soundcore 2 $29.98 at Amazon
$44.99 Save $15.01   Get Deal at Amazon

If you're looking for a portable speaker that won't break the bank, the Anker Soundcore 2 is a great choice. Not only is it a wallet-friendly speaker, but as of Oct. 23, it's on sale for $29.98. This price is for the black model, but for a few dollars more you can choose from a range of colors, including navy blue, pink, and beige.

Whether you're listening at home or taking it with you outdoors, the Anker Soundcore 2 is a great option. This portable Bluetooth speaker is designed for listening anywhere, with an IPX7 waterproof rating to protect it from splashes and rain.

For sound quality, its 12W output and dual neodymium drivers deliver seriously powerful sound, and BassUp technology and a spiral bass port boost low frequencies for deeper bass. It also has a 5,200mAh battery, meaning you'll get up to 24 hours of playback on a single charge. It's simple to use, with a compact design and intuitive controls. You can even wirelessly pair two compatible speakers for stereo sound.

This deal is available on Amazon now, so don't miss out this weekend.

Amazon, like every other retailer, is gearing up for what's sure to be another epic Black Friday for 2026. Like most Amazon shopping events, deals are already pouring in — and we expect them to continue throughout the holiday season.

You can grab steep discounts on TVs, outdoor gear, headphones, Amazon devices, and so much more. And thanks to Amazon's flexible payment options, you can enjoy a breezy shopping experience all season long. Customers are no longer limited to debit and credit cards or Amazon gift cards. If you're an Apple loyalist, you can also use Apple Pay to make purchases on Amazon this season.

SEE ALSO: It's Black Friday again — here's how to use a Visa gift card to shop

Apple Pay is compatible with many — but not all — vendors on Amazon, making it easier to secure deals in just a few taps. You can use it in place of a traditional card payment whenever possible by following the steps below.

How to use Apple Pay on Amazon

Step 1: Set up Apple Pay on iPhone. If you haven't already, add your debit or credit card to your iPhone's digital wallet to set up Apple Pay on your mobile device.

Step 2: Open the Amazon app.

Step 3: Add items to your cart and go to checkout. If your vendor accepts Apple Pay, you'll see it under payment options (you can use the method only if you have linked a card to your iPhone's Wallet app); select Apple Pay.

Step 4: Confirm your address and payment details.

Step 5: Once Apple Pay's payment authenticator pops up on your screen, use your Face ID or Touch ID to authenticate the purchase.

Step 6: Confirm payment to finish the process.

How to use an Apple Card to make payments on Amazon

If you choose to make a purchase from a third-party vendor that doesn't accept Apple Pay, you can work around it by using an Apple Card instead. The process is fairly straightforward.

Step 1: Make sure you add your Apple Card to the Wallet app on your iPhone by clicking on the + symbol.

Step 2: Now, go to the Amazon app and click on the Account icon, which looks like a little person on the bottom of your screen (next to the home icon).

Step 3: A new app page will appear with your orders and other details. Click on Account once again at the top of your screen.

Step 4: Click on the arrow to the right of the Wallet section, under Your Amazon highlights.

Step 5: Your Wallet will open with all of your payment methods and transactions. Click on + Add new.

Step 6: Click on Add a credit or debit card and input your Apple Card details.

Step 7: Finally, click on Add and continue to finish the process. Now, you can use your Apple Card to make purchases on Amazon.

Avatar: Seven Havens may have radically changed the world of Avatar, but the post-apocalyptic series still finds a way to continue one of the franchise's best running gags: the enduring plight of the cabbage merchant.

SEE ALSO: 'Avatar: Seven Havens' introduces several new Havens. Here's what we learned.

Introduced in Avatar: The Last Airbender, the cabbage merchant (voiced by James Sie) rarely gets to actually sell any cabbages. That's because his cart keeps getting destroyed, either by Aang's airbending, Ba Sing Se security officers, or a rogue rabaroo. At each loss, he lets out a woeful "My cabbages!" — a line delivery that is so ingrained in my mind, I can't think of cabbage without it.

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The cabbage merchant's legacy continues in The Legend of Korra. Between Aang's time and Korra's, the cabbage merchant founds car and tech company Cabbage Corp, a competitor of Future Industries. After Future Industries' Hiroshi Sato (voiced by Daniel Dae Kim) frames Cabbage Corp for illegal activity, Republic City's metalbending police arrests the owner, who is also the cabbage merchant's son (also voiced by Sie). As the police drag him away, he cries out, "My Cabbage Corp!"

SEE ALSO: 'Avatar: Seven Havens' may have just confirmed a massive fan theory

On top of playing a role in both The Last Airbender and The Legend of Korra, the cabbage merchant also figures into some of the Avatar comics. He's even the star of his own children's book: Avatar: The Last Airbender: My Cabbages! by Rebecca Gyllenhaal and Jessica Yang. With all this cabbage-centric fanfare, it only makes sense that Seven Havens keeps the tradition alive. However, it does so with a very different food.

In the show's eighth episode, titled "The Envoys: Part One," twin Avatars Pavi (voiced by Saheli Khan) and Nisha (voiced by Aishu Devan) watch as delegates from the other Havens arrive. As they talk, Pavi airbends a paper sky bison she's made onto the street below. It hits the face of a merchant (voiced by Eric Bauza) who's balancing a vat of pudding on his head, alongside two smaller vats. The minor collision is enough to make the merchant slip up spectacularly, interrupting his joyful pudding song ("It's gonna be a pudding day!") and splattering his wares across the ground.

His reaction? A pained cry of "My pudding!" with Bauza's line delivery mirroring Sie's.

Credited simply as "pudding guy," this homage to the cabbage merchant actually winds up having a larger hand in Seven Havens' plot than his predecessor did. After a few more pratfalls, it's revealed that he, along with the rest of the cooks catering the summit, is a part of the outlaw group known as the Faceless. Sure, he could have joined their ranks because of dissatisfaction with Ellora's forced conscription of benders, but I like to think he chose this life because he was tired of losing all his delicious pudding due to bending shenanigans. That would break anyone.

Either way, the moment is a sweet nod to series past, as well as proof that while some things in Avatar have changed in cataclysmic ways, others — like the Avatar's propensity for annoying food merchants — will always stay the same.

Avatar: Seven Havens is now streaming on Paramount+, with new episodes every Friday.

Apple might have a fun new iPad for us to check out in the very near future.

On Oct. 28, Apple is hosting the "Pro and Tell" event in Los Angeles. We expect multiple product launches at the event, perhaps including a new high-end MacBook Pro OLED, but one other rumored item that we're hoping to see is the iPad Mini 8. It's been two years since the iPad Mini 7 came out, meaning it might be time for a refresh.

But what should we expect from the rumored iPad Mini 8? Let's investigate.

SEE ALSO: The 7 best tablets of 2026: Comparing iPad, Samsung, and Lenovo iPad Mini 8: Price

A recent report from Bloomberg gave us some potential bad news on the price front for the iPad Mini 8.

According to Bloomberg's intrepid Apple reporter Mark Gurman, the device could cost close to $799, which would be a $200 price increase over the original starting price of the iPad Mini 7. Apple did increase the price of the Mini 7 over time for the same reasons every other electronic product has seen recent price increases, meaning the new price would be a $100 price hike over the current cost of an iPad Mini 7. Bummer.

That said, that's still $1,200 cheaper than the iPhone Duo, so keep that in mind.

iPad Mini 8: Rumored specs

A new higher price is not great news to start out with, but there might be a good explanation for it (aside from RAMageddon) in the spec sheet.

While we don't have official specs for the iPad Mini 8, a report earlier this year from MacRumors spilled the beans on what we can expect from the new device on a technical level. Here are some of the rumored specs:

• Apple A20 Pro chip

• 12GB RAM

• OLED display

• Apple N1 chip with Wi-Fi 7 and Bluetooth 6 support

• IP-rated water resistance

There's plenty to chew on in those specs. For starters, the A20 Pro chip would bring the iPad Mini 8 significantly closer to the cutting edge than the A17 Pro chip inside the iPad Mini 7. Given that the previous model also only had 8GB RAM, the new 12GB figure should give the iPad Mini 8 a boost in performance and support Apple's new AI features, too.

Obviously, an OLED display would be a huge upgrade over the LCD display on the iPad Mini 7. That, alone, could account for the increase in price. IP-rated water resistance, a first-time iPad Mini feature, would also be a selling point for the more adventurous among us. That, or people who like looking at their iPad while in the bathtub or pool.

iPad Mini 8: A new camera?

One last tidbit, also reported by MacRumors, is that the iPad Mini 8 will apparently have a new landscape front camera. When held in an upright position, that means the camera would be in the right bezel instead of on top. Those bezels, by the way, are also supposed to be thinner than they were on the iPad Mini 7.

It's unclear what kind of specs we can expect from this new camera, but at the very least, its placement would be different.

Check back on Oct. 28 for more Credit: Apple

Again, Apple is expected to debut a new iPad at its "Pro and Tell" special event on Oct. 28. As of this writing, Apple hasn't announced a livestream to go along with the event, which is scheduled for 10 a.m. PT. The recent "Welcome Home" event also took place without a live keynote.

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Mashable will be reporting on all of the announcements from the event, so check back soon for more details.

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Feeling festive? Set a calendar alert for the first week of November, because Starbucks has officially confirmed the return of its viral Bearista Glass Cold Cup for the 2026 holiday season. Yes, there's a broader seasonal menu launching on Nov. 5, but what we really care about is the resurrection of Starbucks' most internet-famous mascot.

The Starbucks holiday menu features the Pike Place Holiday Village and a Peppermint Mocha retro series sporting glass Christmas tree cold cups and handled tumblers. There's also a second drop lined up for Nov. 17, featuring quilted light-blue tumblers and iridescent bottles. You can check out the full lineup here.

Credit: Starbucks

It's all very Christmassy, but the centerpiece of the drop is the reimagined Bearista Collection. The Nov. 5 launch brings an entire lineup of bears, including a Bearista acrylic cold cup, a ceramic Bearista mug, and even a plush Bearista keychain and accessories. The Bearista Glass Cold Cup will join the holiday lineup, but the exact timing of this drop is still to be announced.

We know that the prospect of paying $20 to $30 for branded drinkware can feel a little silly, especially when last year's Bearista drop sparked store campouts and instant $100+ reseller markups, but that's the reality of these limited-edition drops. People like what they like, and people really like Bearista merch.

Credit: Starbucks Credit: Starbucks

We're keeping close tabs on the announcement for the Bearista Glass Cold Cup drop. When we hear something, we'll let you know.

TL;DR: Get Word, Excel, PowerPoint, and more for life on sale for $49.97 through Nov. 1 at 11:59 p.m. PT.

Opens in a new window Credit: Microsoft Microsoft Office 2024 Professional Plus for Windows: Lifetime License $49.97
$249.99 Save $200.02   Get Deal

Microsoft 365 costs $99.99 per year at the cheapest, and that’s only if you pay for it all at once. It costs even more if you want to do it month to month. A better option is to switch to a lifetime license you own outright. Right now, you can actually get Microsoft Office 2024 for life, and it’s even on sale for $49.97 (reg. $249.99).

This license gives you Microsoft Word, Excel, PowerPoint, Outlook, OneNote, and Access on one Windows PC. Instead of paying for Office every year, you pay for it once and keep it.

Office 2024 Pro Plus activates on your PC, not your Microsoft account, so you never have to sign in to open a file. None of the apps rely on the cloud, either. Microsoft keeps the feature set fixed and still sends security updates, so your apps stay protected without changing how they work.

This version also has dark mode, and Excel includes advanced tools for analyzing data. You get the benefit of the modern versions of each app without the frustration of constant subscription fees.

This license only works on Windows 10 and Windows 11, so Mac users will need a different version. Your license is also tied to one PC and can’t be transferred, so put it on a computer you plan to keep. You’ll get your key by email and have seven days to redeem it.

Stop paying for Office every year.

Through Nov. 1 at 11:59 p.m. PT, you can get Microsoft Office 2024 Professional Plus for Windows on sale for $49.97 (reg. $249.99).

StackSocial prices subject to change.

TL;DR: Get 6TB of lifetime cloud storage with Drime for $249.97 (reg. $599), including compliance tracking, encrypted Vault storage, and team collaboration tools.

Opens in a new window Credit: Drime Drime Secure Cloud Storage: Lifetime Subscription (Advanced Plan/6TB) $249.97
$599 Save $349.03   Get Deal

High-resolution videos, raw photos, and design projects have a habit of eating through storage space faster than expected. Drime offers 6TB of cloud storage with no stated per-file upload size limit, plus file sharing and collaboration features that make it useful for teams working with large assets. For a limited time, you can get a lifetime subscription to its Advanced Plan for $249.97 (reg. $599).

Drime Advanced gives teams more than just a place to store their files. It also includes compliance tracking, which keeps records of who accessed what and when. For businesses that need to document how information is handled, those records can make it easier to review activity and prepare for internal or external audits.

You can add up to 25 workspace members, assign roles and permissions, and manage access through advanced administration tools. There’s also 120-day file versioning, so you can retrieve earlier versions of documents when changes need to be reviewed or reversed.

For sensitive files, Drime includes an end-to-end encrypted Vault designed to keep its contents inaccessible even to the provider. The service uses EU-hosted infrastructure and advertises GDPR compliance, although organizations should still evaluate whether its features meet their specific regulatory requirements.

Drime also lets teams edit documents and media, collaborate in shared workspaces, and collect electronic signatures through Drime Sign. Shared links can include passwords, expiration dates, custom URLs, and access statistics.

There’s no individual file size limit, too, which can be a lifesaver when you’re dealing with massive video files, design assets, or other projects that don’t exactly travel well as email attachments. Automatic device syncing, meanwhile, helps keep work accessible across supported platforms.

Normally $599, you can grab Drime’s Advanced Plan for only $249.97.

StackSocial prices subject to change.

Playwright Kat Sandler found inspiration in the Slavic folklore around Baba Yaga for a 2019 play she called Yaga. Now, she's adapted her script into a supernatural horror-laced mystery series centered around the disappearance of a playboy intrigued by witchcraft.

With its first two episodes, Yaga introduces a chilly coastal community, in which Henry Park (Hudson Williams), heir to a local commercial fishery, has gone missing. Family friend and private investigator Rapp (Noah Reid) returns to his childhood home to find the MIA stud, and in his place finds a doppelgänger named Logan (also played by Williams).

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In a more official capacity, police officer Carson (Clark Backo) pursues interviews with those who know Henry, including a bone-fixated professor (Carrie-Anne Moss). But at the center of this story is the question, is witchcraft real? And if so, what does that mean for Henry and his friends?

SEE ALSO: 'Yaga' isn't the show Hudson Williams fans want it to be

If Yaga's got you craving more supernatural series with thrills, mysteries, and spooky fun, we've got you covered with some spell-binding suggestions.

Chilling Adventures of Sabrina

Show creator Roberto Aguirre-Sacasa spins his creepy comic book series, which reimagined Sabrina the Teenage Witch for horror lovers, into a gnarly teen drama with Kiernan Shipka in the title role. This Riverdale spinoff is a coming-of-age story about how this half-witch finds her way in the worlds of magic and man.

Running for 36 episodes across two seasons, Chilling Adventures of Sabrina is a solid and spooky teen drama, rich with angst, flirting, and horror. Plus, Doctor Who's Michelle Gomez pops up in surprise role that's pitch-perfect casting.

Starring: Kiernan Shipka, Ross Lynch, Lucy Davis, Miranda Otto, Chance Perdomo, Michelle Gomez, Jaz Sinclair, Tati Gabrielle, Adeline Rudolph, Richard Coyle, Lachlan Watson, and Gavin Leatherwood

How to watch: Chilling Adventures of Sabrina is now streaming on Netflix.

Yellowjackets

If you're craving a show where female rage intersects with a paranormal mystery, you must watch Yellowjackets. On top of a wild story that has sparked lots of fan theories, the show's incredible ensemble cast will have you gasping and gagging.

Created by Ashley Lyle and Bart Nickerson, this mind-bending horror series reimagines a Donner party scenario with a teenage girls soccer team. In 1996, the Yellowjackets were a varsity team flying to a national championship tournament, when their plane crashed in the Canadian wilderness. Stranded and determined to survive, they must be a team in the face of untold dangers, paranoia, and cannibalism. But that's not all. This series leaps ahead 25 years to show who the survivors are now, offering a string of mysteries for them to unravel.

Starring: Melanie Lynskey, Tawny Cypress, Ella Purnell, Sophie Nélisse, Jasmin Savoy Brown, Sophie Thatcher, Samantha Hanratty, Steven Krueger, Warren Kole, Christina Ricci, Juliette Lewis, Courtney Eaton, Liv Hewson, Kevin Alves, Simone Kessell, Lauren Ambrose, Sarah Desjardins, Nia Sondaya, and Jenna Burgess

How to watch: Yellowjackets is now streaming on Paramount+.

Agatha All Along

This spinoff from WandaVision transforms antagonist Agatha Harkness (Kathryn Hahn) into an MCU anti-heroine. Set three years after the events in Westview, New Jersey, this supernatural spinoff follows Agatha as she builds a coven of misfits to take on the witch's road.

SEE ALSO: 'Agatha All Along' review: Kathryn Hahn conjures up pure, witchy fun

In their quest, there will be battles involving magic, violence, and dark secrets unearthed. Hahn is crackling in the lead role, bolstered by a terrific supporting cast. With just one season, this one's a solid weekend binge, especially during spooky season.

Starring: Kathryn Hahn, Joe Locke, Debra Jo Rupp, Aubrey Plaza, Sasheer Zamata, Ali Ahn, Okwui Okpokwasili, Patti LuPone, Evan Peters, Maria Dizzia, Paul Adelstein, and Miles Gutierrez-Riley

How to watch: Agatha All Along is now streaming on Disney+.

The Fall of the House of Usher

Horror auteur Mike Flanagan uses Edgar Allan Poe's short story "The Fall of the House of Usher" as the inspiration for a Succession-like mini-series about one truly twisted family.

The Ushers, who own a problematic pharmaceutical company, have power, wealth, privilege, and a lot of skeletons in their closets. Their vices are many, ranging from substance abuse and violence to sex, sex, and sex. But a high price must be paid for their sins, and Death has come to collect in the form of a sexy, magical woman.

Told across eight episodes, this sultry, creepy mini-series is perfectly suited to spooky season, and easy to binge over a weekend.

Starring: Carla Gugino, Bruce Greenwood, Mary McDonnell, Henry Thomas, Kate Siegel, Rahul Kohli, Samantha Sloyan, T'Nia Miller, Zach Gilford, Willa Fitzgerald, Michael Trucco, Katie Parker, Sauriyan Sapkota, Matt Biedel, Crystal Balint, Ruth Codd, Kyliegh Curran, Carl Lumbly, and Mark Hamill

How to watch: The Fall of the House of Usher is now streaming on Netflix.

Interview with the Vampire

Okay, sure, I could have gone with Mayfair Witches, another dark magic show on AMC. However, its sibling series Interview with the Vampire just has more bite.

Adapted from Anne Rice's the Vampire Chronicles, this series follows the toxic romance of undead lovers Louis de Pointe du Lac (Jacob Anderson) and Lestat de Lioncourt (Sam Reid) across centuries. The first two seasons focus on Louis' side of their story, while Season 3 offers The Vampire Lestat. Rich with sex, murder, and big feelings, this supernatural drama is highly rewatchable. Plus, Yaga fans can look for Noah Reid in the third season, where he pops up as Lestat's moody guitarist Larry.

Starring: Jacob Anderson, Sam Reid, Eric Bogosian, Bailey Bass, Assad Zaman, Delainey Hayles, Ben Daniels, Joseph Potter, and Jennifer Ehle

How to watch: Interview with the Vampire and The Vampire Lestat are now streaming on AMC+.

For most of its first season, Avatar: Seven Havens has focused primarily on one Haven: Ellora. However, in its eighth and ninth episodes, it begins to broaden its world to the other six Havens, giving viewers juicy breadcrumbs of what to expect from the rest of the show.

SEE ALSO: 'Avatar: Seven Havens' finally shows us how Korra broke the world

The episodes, titled "The Envoys: Part One" and "The Envoys: Part Two," introduce delegates from the other Havens who have arrived in Ellora to answer the city's call for aid. From the historians of New Ba Sing Se to the gearheads of Akasha, here's everything we've learned about these new Havens.

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New Ba Sing Se

The Cataclysm may have completely reshaped the world of Avatar, but somehow, the Earth Kingdom capital Ba Sing Se managed to endure. While the Haven may be called New Ba Sing Se, its inhabitants still live like they're in the old world. Their Earth Kingdom attire is the most familiar piece of costuming in the show so far, and their arrival on flying bison is a welcome sight. Note the gas masks each bison must wear on their muzzle. While the historians of New Ba Sing Se like to live in the past, it's clear they still have to adapt to their apocalyptic present in some ways.

Akasha

The Haven of Akasha serves almost as a foil to New Ba Sing Se. Its inhabitants also look to the past, but instead of focusing on history, they focus on technology. According to "The Envoys: Part One," they're the only Haven that's learned how to use old world tech, and it shows in their Mad Max-esque motorcycles.

SEE ALSO: 'Avatar: Seven Havens' may have just confirmed a massive fan theory Feather Mountain

Our primary entry point into the Haven of Feather Mountain is its ruler: Empress Yeshe (voiced by Jennie Kwan). She's a beloved ruler and talented airbender, yet she seems stifled by the constant supervision from her guards. If she sounds familiar, it's because Kwan also voiced Suki in The Last Airbender!

Seven Havens doesn't reveal much about Feather Mountain's culture beyond Empress Yeshe, but she does say that her realm "makes space for forgiveness." That makes it sound surprisingly nice and balanced for an apocalyptic hideout. Maybe Pavi (voiced by Saheli Khan) and Nisha (voiced by Aishu Devan) could head there if they need a vacation?

Nubat

Another Haven introduced in "The Envoys: Part One" is Nubat, but only in passing. During the summit, Commander Karthik (Akshay Khanna) meets with Rehan (voiced by Sunkrish Bala), the Head Lotus of Nubat, along with the Head Lotuses of Akasha. That's the only time Nubat gets mentioned in the episode, but otherwise we know very little about the Haven.

We know that Rehan is a waterbender, and he dresses in furs reminiscent of the old Water Tribe dress. Yet that could be a personal choice instead of a Haven-specific one, as the clothing in Havens like Ellora seems like a melting pot of different bending styles. For now, Nubat remains a bit of a mystery.

Republic Forest

However, Nubat's mystery is nowhere near as juicy as that of Republic Forest. Alongside another, as-yet-unnamed Haven, Republic Forest is one of the only two Havens who didn't send envoys to Ellora. That's because Republic Forest cut communication with the other Havens long ago, leading the rest of the world to wonder whether they're still alive.

Members of the Faceless believe they are and that they are free from the storms that plague the other Havens. That's where they hope to head following their attack on the summit in Ellora.

While no one knows what truly lies in Republic Forest, we can hazard some guesses based on the name. The Haven — or whatever is left of it — is likely in the remains of Republic City, which now appears to have become a forest. Based on the flashback to Korra's memories in episode 6, it seems as if the Cataclysm started in Republic City and had a lot to do with unleashed spirit energy. Could the influx of energy have expanded Republic City's Spirit Wilds into a whole spirit forest?

Avatar: Seven Havens is now streaming on Paramount+, with new episodes every Friday.

Avatar: Seven Havens gets cosmic in its ninth episode, and may have just confirmed a big fan theory in the process.

SEE ALSO: 'Avatar: Seven Havens' finally shows us how Korra broke the world

In the episode, titled "The Envoys: Part Two," Avatar Pavi (voiced by Saheli Khan) once again makes contact with the menacing, diamond-shaped anomaly that's been threatening Ellora. This time, instead of showing her a flashback of Avatar Korra's memories like it did in episode 6, the anomaly transports Pavi to a place that's familiar to any Avatar fan: outer space.

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What does Pavi see after touching the anomaly?

Okay, Pavi isn't physically in space, but her spirit winds up floating in a cosmic void. It's the same void Avatars Aang and Korra found themselves in before entering the Avatar State. In their series, they followed a glowing path to a massive cosmic projection of themselves holding a ball of white energy. Once they stepped into the ball, they'd be in the Avatar State. The entire cosmic set-up is a neat visual representation of the spiritual and mental components of being the Avatar. However, it's not what we see in Seven Havens.

Like Aang and Korra, Pavi follows a path through space in Seven Havens. But instead of finding a vision of herself, she sees a massive circular gate. Like the anomaly, it glows black and red. Unlike the anomaly's fragmented, angular geometry, this gate bears a beautiful, flowery design.

SEE ALSO: 'Avatar: Seven Havens' episode 5 is chock-full of 'Last Airbender' Easter eggs

From there, Seven Havens reveals that beyond this circle lie six others, each ringed in their own glowing colors, although none bear a design yet.

The progression of these colors is a visual Avatar fans are familiar with, going all the way back to Avatar: The Last Airbender Season 2, episode 19, "The Guru." In that episode, Aang visits guru Pathik to learn how to enter and control the Avatar State. Pathik teaches him about unblocking his chakras, which are points of concentrated energy throughout the body, with real-world roots in Buddhist and Hindu practices.

The scenes in which Aang unblocks his chakras are each tinged with a specific color tied to each chakra, starting with red and moving up to orange, yellow, and so on. It's the exact same color progression as the gates Pavi encounters, highly implying that she is looking at a series of chakras. But they aren't hers. Instead, each of the seven chakras is almost certainly tied to one of the seven Havens.

Avatar: Seven Havens' chakra theory, explained.

Throughout Seven Havens' run, series fans have theorized that each Haven represents one of the seven chakras. After all, the show's opening credits show the Havens as glowing points of color on a map, each corresponding to one of the chakra colors. The same color scheme carries over to the costumes of the Havens in the play about the Cataclysm in the very first episode.

All of this is compelling evidence for the theory, but Pavi's vision in "The Envoys: Part Two" is the strongest confirmation of the theory so far. Let's start with the red gate in front of Pavi. It is the same color as the first chakra guru Pathik teaches Aang about: the Earth chakra, known in real-world practices as the root chakra. It sits at the base of the spine. According to Pathik, it deals with survival, but it's blocked by fear.

All these concepts of survival, fear, and the root chakra figure into Seven Havens in some way. Book 1 is titled "Survival," while the season finale is titled "The Root Chakra." As for fear, the city of Ellora is overrun with it. Whenever someone comes into contact with the anomaly, they become afflicted by fear.

With that in mind, it seems like the anomaly isn't truly some kind of spirit demon. Rather, it's a physical manifestation of the blocked energies of Ellora, which explains its appearance as a warped version of the design on the gate. In order to keep the world in balance, Pavi and her twin sister Nisha (voiced by Aishu Devan) will surely have to find a way to unblock Ellora — the root chakra — and likely the other havens as well.

Each of the seven Havens representing a chakra raises a massive question, though. What are they chakras of? They seem to be chakras of the entire world, but does that mean that the Earth in the Avatar universe is actually its own living being? Was the Cataclysm caused in part by blockage of these energy points?

All will surely become clear as Seven Havens continues to open its mystery box. For now, though, Pavi's vision is the clearest answer viewers have gotten to the many questions the show has raised about the world post-Cataclysm.

Avatar: Seven Havens is now streaming on Paramount+, with new episodes every Friday.

Since Avatar Studios announced Avatar: Seven Havens, Avatar fans' biggest question has been, "How did Avatar Korra cause the apocalypse?"

In Seven Havens episode 7, we finally get closer to finding out.

SEE ALSO: 'Avatar: Seven Havens' episode 5 is chock-full of 'Last Airbender' Easter eggs

The episode continues twin Avatars Pavi (voiced by Saheli Khan) and Nisha's (voiced by Aishu Devan) quest to find their parents. Their investigation brings them back to the mysterious glowing red anomaly that has plagued Ellora on and off throughout the season. It left behind a mass of crystals following its resurgence in the zombie-influenced "Night of the Afflicted," and when Pavi and Nisha tunnel beneath those crystals, they discover the ruins of what appears to be an old world factory. Based on the gear logo on the wall and an old mover showing Asami Sato cutting a ribbon outside the building, it's a Futures Industries factory.

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Avatar: Seven Havens teases the Cataclysm.

Deep in the bowels of the factory, Pavi finds a vast pit full of a strange liquid whose surface ripples with the glowing red design of the anomaly. As she makes contact with it, she's greeted with a memory of Republic City before the Cataclysm. The city has been completely rebuilt following the battle with Kuvira at the end of The Legend of Korra, in which Korra created a new spirit portal within the city's Spirit Wilds. Now, the yellow beam of that portal appears to emerge straight from a Future Industries tower, suggesting that the people of Republic City have built over or around the Spirit Wilds. That couldn't possibly have a negative impact on the physical world's relationship with the Spirit World, right?

SEE ALSO: 'Avatar: Seven Havens' gifts us a perfect Halloween episode

In Pavi's anomaly vision, she also sees a concerned-looking Korra, one who's much older than when we last left her, flying from Air Temple Island to Republic City. When Nisha joins Pavi in the vision, the scene changes drastically. The twins find themselves in the city streets, surrounded by fires and explosions. As the smoke clears from a motorcycle crash, the twins see Korra again. This time, though, she's changed: She's in the Avatar State, and she sports a menacing smirk. That can only mean one thing. The twins are seeing the moment Korra somehow turned and broke the world.

As Pavi and Nisha look on, Korra reaches up to pipe-like structures running along Republic City's skyscrapers and tears them down. The breaking of the pipes unleashes massive bands of destructive purple energy beams, which look very similar to the spirit vine energy Kuvira harnessed in her campaign to conquer Republic City.

That's all we get of the Cataclysm, but there's already a lot to unpack here, from Republic City's new look to the purple energy beams. Most fascinating of all might be the pipe structures Korra is tearing down. Their design is not rigid and pipe-like, but instead resembles vines. In rebuilding Republic City, could its citizens have tried to harness spirit energy from the Spirit Wilds as an energy source? Did they build around the vines climbing up buildings, and if so, did that strategy backfire spectacularly, contributing to the Cataclysm? Based on Republic City's skyline and these mysterious pipes, it seems like the physical world's relationship with the Spirit World was already way out of whack by the time the Cataclysm happened. That's odd, given that much of Korra's time as the Avatar was focused on maintaining that balance. After all, she opened the spirit portals at the poles and in Republic City.

Is Korra really to blame for the Cataclysm?

That brings us to Korra herself. Let's be totally real here. That smirking woman in the Avatar State might look like Korra and bend like Korra, but that frightening smile and the intent on destroying the world just doesn't feel like her. Obviously, a lot has changed since we last saw Korra on TV, but I refuse to believe she had an entire personality transplant!

Instead, this version of Korra in the Avatar State recalls a more sinister figure from Book 2 in The Legend of Korra. In the climax of that season, villain Unalaq merged with the darkness spirit Vaatu to create a dark Avatar whose eyes glowed red, contrasting with the white glow of the light spirit Raava, who lives within the Avatar. In the Seven Havens vision, Korra's eyes still glow white, yet her unsettling body language screams that the Avatar State has been corrupted in some way.

By the end of Season 2, Korra defeated Vaatu, but did not destroy him outright. Instead, his spirit is set to regrow within Raava over a period of 10,000 years, until the next Harmonic Convergence. That's a ways off within the Avatar timeline, but could the rapid acceleration of technology or Korra's proximity to the Spirit Wilds have accelerated that growth somewhat? Or alternatively, did some Future Industries technology create the anomaly and trigger some dark turn in Korra? I could very well be barking up the wrong spirit vine, but I have a feeling Book 2 of The Legend of Korra is about to become very, very important.

Clearly, we haven't gotten the full story yet, and Seven Havens is being very careful in how it doles out Korra's memories. In this episode alone, it leaves a gap between Korra's flight to Republic City and the Cataclysm. (Assuming the visions happen on the same night, that is, as Korra is wearing the exact same outfit in both.) That gap could be key to understanding Korra's motives in bringing on the Cataclysm, and hopefully in clearing her name somewhat in the timeline of Seven Havens.

Avatar: Seven Havens is now streaming on Paramount+, with new episodes every Friday.

There's so much to want to love in Canadian series Yaga, from its small-town mystery to its hints of folklore and witchcraft. But the biggest draw of all is undoubtedly its cast, which includes Carrie-Anne Moss, Noah Reid, Clark Backo, and Heated Rivalry breakout Hudson Williams.

SEE ALSO: 2026 fall TV preview: Every show you should know about

Yaga is Williams' first major project to come out since the runaway success of Heated Rivalry catapulted him and co-star Connor Storrie to stardom. With that comes an opportunity for Williams to further showcase his range beyond his Canadian Screen Award-winning work as Shane Hollander. It's a shame, then, that Yaga gives Williams and his co-stars so little to latch onto, in a dark feminist fable that feels more hollow than revelatory.

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What's Yaga about? Noah Reid and Clark Backo in "Yaga." Credit: Crave / Christopher Lawrence

Based on the play by Kat Sandler, who also serves as showrunner, Yaga invites us to the small town of Whittock, where Henry Park (Williams), heir to a powerful fishery owner, has gone missing. Enter private investigator Rapp (Reid) and local police detective Carson (Backo), who are paired — reluctantly, on Carson's end — to get to the bottom of this mystery.

What begins as a standard missing persons investigation soon becomes something darker and stranger. Chicken carcasses hang menacingly on doors. Bloody symbols mar crime scenes. Through it all, Rapp hears whispers of Baba Yaga, a legendary witch from Slavic folklore known for living in a house on chicken legs and flying around in a mortar and pestle. Could Henry's disappearance be tied to the occult? Given that the whole series opens with images of an unknown figure being burned at the stake, and that each episode opens and closes with a voiceover monologue from a wizened witchy figure, the answer appears to be an unequivocal "yes."

SEE ALSO: 'Crystal Lake' review: Linda Cardellini slashes her way through this bloody Friday the 13th prequel

So the stage is set for a strange, folkloric mystery. Yet Yaga's witchiness never truly sings. Too often, the show resorts to the same style of surreal fakeout dream sequences, where a stream of bloody feathers and foreboding masks blends into a shorthand for horror without truly scaring. The voiceovers, presented as coming from Baba Yaga herself, offer up platitudes about women who have been othered as witches, but they feel familiar to anyone who's ever read a "we are the granddaughters of the witches you couldn't burn" bumper sticker.

Hudson Williams pulls double duty in Yaga. Hudson Williams in "Yaga." Credit: Crave / Christopher Lawrence

At the center of this witchy vortex is Williams' Henry, who mostly haunts Rapp and Carson's investigation in flashbacks, including a steamy podcast recording with him and intriguing professor Katherine (Moss), an expert in all things bone. Henry's not alone: Williams also plays Logan, Henry's roommate, podcasting partner, and doppelganger. (Yaga sticks Williams in a prosthetic nose and fake acne for the Logan role, and the result is a jarring trip to the uncanny valley.)

A dual role should be rich territory for any actor to mine, yet neither Henry nor Logan get enough screen time for Williams' double turn to truly sink in. Henry is primarily a confident, if sleazy, charmer, while Logan is mostly presented as an awkward, almost wooden foil to that charm. Logan was not a character in the original stage play, and it shows in his thinness here.

Yaga introduces a fascinating thread about Logan perhaps wanting to be (or maybe be with) Henry, but it rarely pulls it beyond the occasional unsettling sex scene. While onscreen intimacy can often be a great showcase of character dynamics, here, these scenes are often over too fast or accompanied by a voiceover that explains said dynamics without letting the actual performances breathe.

As Yaga unfurls, Henry and Logan become much more sinister figures. While the thought of Williams taking a villainous turn is an exciting one, his Henry and Logan don't make particularly compelling villains because we know so little of them. Yaga's leads don't tend to fare much better. Moss is slippery fun as Katherine, but too often she remains on the margins. Backo and Reid's buddy cop dynamic is punchy, yet often dragged down by Rapp's incessant flirting. That most of the women in Whittock practically throw themselves at him is one of Yaga's most infuriating features. As it happens again and again and again, these women's advances bypass sexual empowerment and move straight into bewilderment.

Yaga gestures out to interesting concepts, but ultimately, it never dives deep enough. As an examination of witchcraft as a conduit for female rage, it's not angry enough. As an erotic thriller, it's not titillating enough. As a mystery, its twists and turns are intriguing, but never quite captivating. The ingredients for success are there, but they never quite come together to cast the right spell.

The first two episodes of Yaga premiere Oct. 23 on AMC+.

Believing in magic as an adult is the stuff of eldritch terror when it comes to the world of LAIKA. The stop-motion animation studio scared the shit out of us with Coraline, a twisted, whimsically macabre web that made a nightmare of the uncanny.

Now, with Wildwood, directed by creative chief Travis Knight, LAIKA once again leans into the dark and extraordinary world of fantasy and magic, this time nestled right across the river from the American Mecca of weird: Portland, Oregon. With handcrafted animation blended with painterly digital tech, the LAIKA team draws you into the Impassable Wilds, a magical realm where the forces of nature cannot be underestimated.

Though a fantasy tale, Wildwood's emotional core lies in reality. And in such a real world, where artificial intelligence is invading systems of creativity like the film's all-powerful ivy, LAIKA's hand-wrought, tactile artistry feels truly remarkable.

SEE ALSO: LAIKA's stop-motion 'Wildwood' featurette is the perfect antidote for AI content Wildwood is a dark coming-of-age tale that sees magic for its darkness and light.  Prue McKeel (Peyton Elizabeth Lee) and Curtis Mehlberg (Jacob Tremblay). Credit: LAIKA

From Wildwood's magnificent opening scene, adapted by screenwriter Chris Butler (LAIKA's Kubo and the Two Strings), it's clear this is not a fairy tale for children. Based on the novel of the same name by The Decemberists' frontman Colin Meloy and illustrator Carson Ellis, the film begins with a gothic tragedy involving a governess, Alexandra (voiced by Carey Mulligan), and her only son, one that recalls Tim Burton's Wednesday story "Tale of the Skull Tree" — and it sets the macabre tone for the film. For now, the film brings us back into a safe haven: a cosy kitchen in Portland where teen Prue McKeel (Peyton Elizabeth Lee) is leaving the magic of childhood behind her, despite her parents' (Maya Erskine and Jake Johnson) encouragement to believe.

Tasked with babysitting her brother Mac (Arthur Knight, the director's infant son), Prue's wish for adulthood is cruelly granted when he's kidnapped by a Hitchcockian murder of crows, flown deep into the forest that lies beyond St. John's Bridge. The Impassable Wilds, her father calls them, and along with adventure game-loving nerd Curtis Mehlberg (Jacob Tremblay), the pair manage to venture beyond the mist.

Into the woods... Credit: LAIKA

What ensues is a thrilling, dark, and oftentimes uproarious careen into the realm of Wildwood, where the stakes are toweringly high (honestly, don't think your favourite character can't die a horrible death) and the emotional complexity of its residents runs deep. War is brewing, as a ruthless coyote mercenary army and displaced people branded as "bandits" wage bloody land battles within the realm. The conflict affects the entire realm, from an Endor-like avian principality to a grassroots community of mystics ("hippies," Prue calls them). However, there's something even more sinister afoot, and "outsiders" Prue and Curtis must be careful who they trust to get her baby brother back.

As the geopolitical tension of Wildwood comes into focus across the North and South Woods, Prue and Curtis will meet a glorious array of familiar-voiced characters: Brendan the mighty Bandit King (Mahershala Ali), helpful wise-cracking rat Septima (Awkwafina), glorious golden eagle General (Angela Bassett), rage-fuelled coyote lieutenant Maksim (Tom Waits), the flustered yet wise Owl Rex (Richard E. Grant), sage mystic leader Iphigenia (Tantoo Cardinal), fierce warrior Niamh (Amandla Stenberg), snivelling politician's henchman Roger (Jemaine Clement), accidental soldier Dmitri (Charlie Day), and more.

And at the heart of it all lies someone torn apart by grief, who'll do anything to reclaim what was lost. 

Wildwood's extraordinary animation is at once magnificent and brutal. Prue and the General (Angela Bassett), LAIKA's largest puppet to date. Credit: LAIKA

This is LAIKA, one of the most lauded studios working in animation today, so if you're expecting Wildwood to be visually magnificent, you won't be disappointed (and Dario Marianelli's soaring score seals the emotional deal).

Through ancient ruins, coyote-patrolled forests, heaving halls of never-ending bureaucracy, and dank dungeons adorned with hanging cages, we're treated to wondrous world-building from production designer Nelson Lowry and superb visual detail from principal character designer Thibault Leclercq, costume designer Deb Cook, and head of character and practical effects Oliver Jones. Frame after frame of sublime, handmade landscapes (there were 132 sets) are populated by 233 unique character puppets, painstakingly brought to life by head of animation Brad Schiff and his small army of animators, with Brian McLean's Rapid Prototype (RP) and Benoit Dubuc's CG Facial Animation teams. And they're all boasting hundreds of intricate costumes from Cook and head of costume Anja Poland.

All shot to perfection by cinematographer Caleb Deschanel and edited by Christopher Murrie-Green, the meticulous detail within each scene is nothing short of extraordinary — from the Bandit King's dreadlocks to Prue's tears (yes, stop-motion animated tears!) to the General's majestic flapping wings — and results in a world so resplendent, so visceral, and sometimes so shockingly violent you'll want to pause the screen or run from it. Within Wildwood, animals and people live alongside each other, with human governors, farmers, and bandits existing alongside rabbit constables, coyote commandants, and bear lumberjacks. The effect is one of harmony, tension, and fascination, with each character rendered with such individuality and detail that you could follow any one of them into their own Wildwood spinoff storyline. 

Respect the ivy... Credit: LAIKA

One of the major players in the film, a sprawling, interconnected mass of ivy stretched across the Impassable Wilds, is a feat of animation in itself, with every climbing vine, every veined leaf, moving as one powerful entity. This sense of gravitas extends to every scene in Wildwood, whether animating a rat swimming in a bowl of venison soup or rain falling on emerald mansion steps.

However, nothing compares to one of the most exceptional battle sequences you'll ever see on screen, a masterpiece of animation whose meticulous production boggles the mind. The largest ever created for a stop-motion feature film, the 12-minute battle scene is 411 thrilling, violent, and awe-inspiring shots that are sure to land this film an Oscar.

Wildwood's secret star is the city of Portland. Prue's family live in Portland and you won't miss it. Credit: LAIKA

If there's one hidden character within Wildwood, it's the city of Portland, Oregon, America's nucleus of alternative living, where the history of magic has ancient roots. 

In Wildwood's Portland scenes, the team hide Easter eggs and references that build a portrait of the city's weird and wonderful elements: from Prue enjoying the magic of Voodoo Doughnut to cycling past drag queen story hour at legendary independent bookstore Powell's. A bagpipe-playing Darth Vader on a unicycle? Yep, we're in Portland.

Within Prue's teen bedroom, inclusions of The Decemberists' posters pay homage to the Portland band whose "The Better Part Of Bravery," lies on the soundtrack — and whose frontman wrote the book Wildwood is based on. Prue's parents are so Portland they won't even say what happened at Burning Man and mention "medical doctors" as a last resort. Yes, it's reductive and stereotypical, but it renders the city a place where it makes sense there'd be a magical wilderness on the other side of the Willamette River.

It's this familiarity that anchors Wildwood in its most brutal moments, knowing a world of war, violence, and magic lies just beyond a city bridge. LAIKA doesn't treat its audience like glass, presenting the cruelty of magic as one of finality, of life and death. Find the biggest screen you can and ride boldly across the bridge into Wildwood, where magic is just as beautiful as it is brutal. 

Wildwood was reviewed out of BFI London Film Festival and will hit cinemas Oct. 23.

You might have seen the Wicker trailer, heard the plot from your friends behind giggling hands, or experienced the collective internet reaction to a 4DX screening. We're getting another sexy straw man movie, when we thought such a thing was done For Good?

Based on Ursula Wills-Jones' short story "The Wicker Husband," the tale is what it says on the tin: a fisherwoman (Olivia Colman) requests a local basket weaver (Peter Dinklage) to make her a husband to get the bitches in town (led by Elizabeth Debicki) off her goddamn back. And it works, with Alexander Skarsgård brought to life as the world's most dashing straw man — apologies to Jonathan Bailey's Scarecrow in Wicked.

It's a deeply silly, fairy tale concept. But what directors Alex Huston Fischer and Eleanor Wilson have up their sleeve is a hilarious and heartfelt script, an incredibly talented cast, and magical production design that landed actual gasps (and cackles) from the BFI London Film Festival audience.

It's an artisanal Frankenstein tale, and one that will melt that brittle basket-woven heart of yours — or simply have you thinking about Taylor Swift's "Wood" differently.

Wicker is Frankenstein for craft lovers. Credit: BFI London Film Festival

The very concept of building a life partner from things around the house has intrigued writers from Mary Shelley to that time Sabrina the Teenage Witch's aunts played with "Man Dough." And in Wicker, a exceptionally talented basket weaver (a positively Shakespearean Dinklage) is the one to play God.

Set in a medieval village where patriarchy is divine and marriage means literally putting a collar on the bride, Wicker follows a gleeful social outsider known as the Fisherwoman (an impeccable Colman), happily living out her days in her crumbling cottage as a spinster. Covered in the stench of her occupation, she has no desire to marry as expected. However, such independence sparks the ire of the townspeople, especially the Tailor's Wife (a diabolical Debicki), a woman oppressed in her own man-child marriage to the Tailor (a superb Nabhaan Rizwan). To shut them all up, the fisherwoman commissions another recluse, the Basket Weaver, to literally make her a husband. One magic moment later, Fisherwoman has her Wicker Husband (a stoically sweet Skarsgård) — and the entire town can hear their marital bliss, echoing across the meadows. 

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It's a sexual awakening indeed for Colman's Fisherwoman, and one that will have you cackling with glee as she does. But their bond becomes about more than planking sessions. Though literally fabricated, Fisherwoman and her Wicker Husband's exploration of love and intimacy feels deeply genuine, thanks to Coleman's gleeful humour and vulnerability and Skarsgård's awkward romanticism. And it's all within a safe distance from fires; one of them is "very flammable," after all.

However, as the Wicker Husband tries to understand his "purpose" and the logic behind treating women as equal (imagine!), his charms begin to affect the townspeople. Essentially, he's making the other men look absolutely useless.

Wicker makes a hilarious mockery of traditional gender roles. Credit: BFI London Film Festival

One of the most compelling elements of Wicker, beyond its plethora of gloriously dirty jokes, frankly hilarious foley effects, and Colman's outstanding performance is its skewering of traditional gender roles within marriage.

As the townsfolk witness these moments of sweet romance, simmering sexual chemistry, and actual friendship between the Fisherwoman and Wicker Husband, the local women have questions for their own husbands. What do you mean, this man shares the housework and fishing with his wife? What do you mean, sex can be an act of pleasure, not merely for procreation? They begin to examine their society's gender essentialism, from marital obligations to division of labour and intimacy — and the husbands are annoyed. "All of a sudden I don't say enough words to her!" says one. "The wives, they're all aflutter!" says another. Here, Wicker's supporting cast shine in glorious deadpan, especially Ella Bruccoleri as one-liner queen the Baker's Wife, Ben Ashenden as her husband, Baker, and Kiell Smith-Bynoe as the stubborn Innkeeper.

But while the film's medieval innuendos are show-stoppers in their own right, Wicker's production design will actually cause a shortness of breath.

Wicker's production design team makes spicy magic happen.

It must be said: For Wicker to work, the Fisherwoman's darling "timber knight" has to be magically hot. I don't make the rules. It's part of the narrative or something. Casting Alexander Skarsgård in such a role is a superb step toward achieving such sorcery (Pillion also knew what it was doing), but transforming him into a dashing man made of flexible rods is another challenge. Luckily, Wicker enlisted Wētā Workshop and visual effects supervisor Joe Dunckley to craft an otherworldly wicker suit that's alarmingly ripped, along with facial prosthetics that trace the lines of Skarsgård's face. You can physically see through these wicker biceps, light shining through them. 

Remembering this is a raunchy fantasy comedy, the production team also doesn't waste one opportunity to draw out the properties of a wicker person during intimate scenes. Every creak of the Wicker Husband's basketry serves to emphasise his strength and physical materials. Foley artist and editor Adrian Medhurst and foley recordist Simon Koehn should be applauded for the wicker erection sounds that groan and strain through an early scene, one that had the LFF audience hooting. 

Within this raunchy fairy tale, like all fairy tales, there are lessons hidden between the fantasy and drama. And if you can't learn a thing or two about intimacy, romance, and love while staring at the sheer artistry of basket-woven pectorals, then I don't know what to tell you.

Wicker was reviewed out of BFI London Film Festival. It hits cinemas Oct. 23 in the U.S. and Oct. 30 in the UK.

John Turturro has a storied career that stretches across 45 years, and boasts unforgettable performances in iconic films like Spike Lee's Do the Right Thing and the Coen Bros' The Big Lebowski and O Brother, Where Art Thou? More recently, he awed streaming audiences with his bittersweet romance as Irving Bailiff in Apple TV+'s Severance, for which he's earned two Primetime Emmy nominations. 

Across more than 100 films and television series, Turturro has played clowns and villains, lovers and bowlers. But in his latest, The Only Living Pickpocket in New York, this heralded character actor and celebrated New York City native gets the role that he was born to play.

Writer/director Noah Segan entrusts Turturro with the leading man role in a crime thriller that evokes 1970s classics like Taxi Driver, The French Connection, and The Taking of Pelham One Two Three — movies that predate Turturro's screen career. And yet, The Only Living Pickpocket in New York doesn't feel like a throwback. Instead, this big-hearted and hard-nosed thriller bridges the gap between past and present with a modern awareness of how things change, even for a classic New York character.

The Only Living Pickpocket in New York celebrates its city with every frame. 

It's a cliché to call a movie a love letter to New York. The Only Living Pickpocket in New York is more of a confession of affection scribbled on the back of a way-too-long CVS receipt. It's passionate and a bit grimy, just like the city itself.

Turturro stars as Harry Lehman, an aging Bronx resident who's been a career criminal specializing in pickpocketing for decades. This day begins as any other, lifting a wallet from a finance bro on the subway. But times have changed. The city has moved away from paper money and toward Apple Pay and cryptocurrency. So, it's harder than ever for Harry to provide for his paralyzed wife, Rosie (Karina Arroyave). So, it seems like a boon when he successfully boosts the wallet of a smug 20-something named Dylan (Will Price). But while Harry is fencing the goods to his pawnbroker buddy Ben (a pitch-perfect Steve Buscemi), he learns this mark is practically made. Okay, so he's more of a nepobaby-gangster than a goodfella. But this is still bad news.

Harry's got to hustle to get back what he sold, or else Dylan and his posse of puffed-up Gen Z goons will kill Rosie. In this quest, Harry rides the train from the Bronx to Chinatown, to Sheepshead Bay in Brooklyn, and up into cozy Queens, where big houses and yards shake up the presumed urban landscape. (Sorry, Staten Island, no time for you!)

In each place, Harry collides with a quintessentially New York figure, be it a no-nonsense neighbor (Echaka Agba), a shop owner (Kelvin Han Yee) more focused on his TV than a pesky customer, a wise-cracking detective (Giancarlo Esposito), a finger-wagging grannie (Lori Tan Chinn), or a slick-fingered could-be protégé (Mark Cayne). Like in classic '70s New York City cinema, each of these folks adds a new texture to this portrait of this messy and magical city. The cinematography by Sam Levy showcases this setting with a understated wonder B-roll of rumbling subways and bustling streets reflects Harry's never-say-die energy, as he strides out of pawn shops, police precincts, and community centers with an easy confidence. Before he dashes off, Levy's camera will zoom in, catching him as if he were a native animal on the run. Or else, a simple pan as Harry pauses to think reflects the big, urban world around him that won't stop for a moment.

This is not the romantic landscape of Manhattan showcased in countless rom-coms. The only view of the skyline or even NYC's rivers in this film is tinged with a sinister tone, as Harry and his detective friend recall an old thief whose head was found "bobbing in the Hudson!" The Only Living Pickpocket in New York instead captures a city that is both repulsive and beautiful, heartbreaking and inspiring. Segan even kicks off with a gut-punch of an opener, playing LCD Soundsystem's "New York I Love You, But You're Bringing Me Down" at such an intensity that you can't escape the raw vulnerability in its lyrics or the trembling voice of James Murphy.

Before the title card hits, Segan shows he understands this city like a New Yorker. This is a place that will build you up and knock you down, over and over. And somehow — for those of us who truly love it — it feels like a privilege every time you get back up to try again. 

John Turturro is perfection in The Only Living Pickpocket in New York. 

This is a story of a man who's lived past his prime. A brassy score of trumpets and plinking piano puts Harry Lehman in the space of Travis Bickle, Popeye Doyle, or Transit Police Lt. Zachary Garber. But Segan's film willfully lacks the intensity of these reference points. That's because the Fear City days are behind New York, and Harry's hard edge has softened over the years of caring for his wife.

Harry, Rosie, Ben, and even Detective Warren are relics of a "bad days" era that they miss, because the days were rough, but the wild nights still make them smile. Now, kids half their age are talking about how the only worthwhile terrain for theft is through computers. But Harry doesn't even have a cell phone. A friendly stranger marvels when he knows a phone number "by heart." A crypto-bro chides him for not understanding he's part of "planned obsolescence." Over and over, the youth of this city are telling Harry that is time is over. There's a quiet resignation in his response, but even that doesn't mean he'll go down without a fight.

Turturro, who has famously seethed, snarled, and caterwauled to dramatic and comedic effect, plays closer to the vest here. When not lifting wallets, his long, agile fingers hide in the pockets of his tweed overcoat, its salt-and-pepper herringbone mirroring the color of his silvered, curly hair. Harry strives to not stand out, all the better to ply his craft. But he is coolly dashing. And in that, he has a facade of composure. But cuddled next to his wife, his passion burns. For her, he will coo and dance, showing that this old man still has moves. In front of old friends, he is gruff but caring. To their grandchildren, he is warm and paternal. And when confronted by mercurial thugs, he is alert and patient. Turturro offers a phenomenally nuanced performance that subtly speaks to what it takes to survive decades in this city.

When the Knicks won the NBA Championship this year, Turturro went viral for a dance he did at the celebration parade, candidly caught on camera. I thought of that scene throughout The Only Living Pickpocket in New York, not because his genuine joy in that moment is reflected in the movie, but because in both of these on-camera moments, Turturro succinctly captures what it is to be a New Yorker. It is grappling with grief and joy in the same crazy day. It is making a family of the misfits you treasure. It is embracing this city — and the outer boroughs — with appreciation and respect. It is building a life few can understand, and frankly, they don't need to. This is a space for all kinds of dreams, all kinds of people, and all kinds of ways to lose and win.

As a crime thriller, The Only Living Pickpocket in New York is a solidly entertaining ride, being sharply paced, thoughtfully shot, and stacked with a terrific cast that also includes Tatiana Maslany. But more than just another fun crime movie set in New York City, this one is also resolutely aware of the greats who came before, paying tribute without aping them. And best of all, Turturro offers a turn that showcases his humor, sexiness, pathos, and a cutting subtlety that's absolutely riveting. In a career full of outstanding performances, The Only Living Pickpocket in New York offers one of Turturro's very best. 

The Only Living Pickpocket in New York was reviewed out of the New York Film Festival. It will open theatrically in New York and Los Angeles on Oct. 23, then expand nationwide on Oct. 30.

Carol. Deep Water. Strangers on a Train. The Talented Mr. Ripley. American author Patricia Highsmith has inspired filmmakers for decades with her lurid tales of sex, deception, and murder. Now, she herself is a character in such a thriller, thanks to A Talent For Murder.

Adapted for the screen by Australian playwright Joanna Murray-Smith from her own play, Switzerland, this film imagines what might have happened if Highsmith's biggest fan got the chance to meet his hero. Enter Edward Ridgeway (Tony winner Alden Ehrenreich), a handsome young man with carefully coiffed dark hair, a strong jaw, a pressed shirt, and polished glasses, but little poise. On a train through Switzerland, he seems like he stumbled out of the first chapter of a Tom Ripley novel, sure to be felled or corrupted by the iconic con man.

Now, the girl. Clementine Harriet Balfour (Olivia Cooke) is pretty, with a bouncy brunette bob, and a fashion sense that hints at an old-money family and independent ambitions. They meet as strangers on a train, but are sure to cross paths again in the small Swiss village where she's visiting a miserly dowager aunt (Juliet Stevenson), and he's tasked with getting Highsmith to sign a contract to write a sixth Ripley novel.

Director Anton Corbijn expertly lays out a spring-loaded trap that's sure to capture the interest of Highsmith fans. A handsome couple flirts, while wealth and opportunity glitter on the horizon. What might they do to get there?

Enter a surly Highsmith, played with gnarly certainty by the one and only Helen Mirren.

Helen Mirren is a deranged delight in A Talent for Murder.

The English Dame has done Shakespeare and Prime Suspect; she's played Queen Elizabeth II and a Fast and Furious baddie with equal aplomb. Plus, just last year, she played a sultry spy in the cozy crime treat The Thursday Murder Club. But there's no lightness in Mirren's Highsmith.

In 1995, atop a Swiss mountain, the heralded author has become an eccentric recluse, rumored to have poisoned a neighbor's dog for barking too much, and to have driven an American man so mad he fled her home while only wearing his pajamas. Dressed in men's slacks, a crisp men's dress shirt, a cravat and vest, paired with a fuck-off bob, Mirren's Highsmith is imposing, even introduced ironing a shirt.

When Edward appears, eager with compliments, gifts, and talk of opportunity, she regards him with such scorching disdain the audience at the Toronto International Film Festival gasped and guffawed. The ruthless wit of the Ripley novels is sharply replicated in Murray-Smith's screenplay, and Mirren makes the most of every line, savoring the sharp barbs. To his credit, Ehrenreich doesn't balk in the face of this storied actress. And thank the gods, because failing to match her onscreen would make A Talent for Murder a miss. Instead, it's a twisted thrill: sexy, salty, and wickedly fun.

Alden Ehrenreich is hot and bothered in A Talent for Murder.

Earlier this year, Ehrenreich earned praise and a Tony award for his phenomenal performance in the Broadway revival of Becky Shaw. Watching A Talent for Murder, I thought often of this stage performance, as his characters have a lot in common. Young men who've come from a family with no means and no reputation worth a damn, who both cozy up to a wealthy family, determined not just to enter their world but to rule it.

At first glance, Edward looks like Matt Damon's version of Ripley, from the juicy 1999 adaptation The Talented Mr. Ripley. His hair floppy but fashionable. His smile earnest but awkward. The eyeglasses, a perfect twin. This feels intentional, as if Corbijn wants Highsmith fans to immediately wonder if this eager social climber might have the root of evil in him, which could make Highsmith's criminal mastermind real.

Smartly, the screenplay doesn't pitch Edward as some rube. He's come ready to impress Highsmith, even if that means tantalizing her with twisted tales from his past, and the possibility of criminally corrupting him. Enticed by his game, the two begin to collaborate on a murder mystery about a blue-collar boy who meets an old-money girl, and is determined to make her family fortune his own. Their thought experiment gets joltingly real as Highsmith haunts him in the night and inspires him to treat the reckless heiress Clementine as source material.

From there, A Talent for Murder begins to blur what's real and imagined in pursuit of bringing fresh blood to Highsmith's typewriter. And it just wouldn't work if Ehrenreich weren't on fire. Where Mirren is delicious in her snarling cruelty (think Tilda Swinton in Problemista), Ehrenreich is intriguing in his slipperiness. Edward and Highsmith's imagined novel plays out as we watch, recasting the former as her anti-hero, with Clementine playing the role they write for her. In these sections, Ehrenreich has the smoothness of Ripley, his confidence edged with a misanthropic disgust at all who aren't as clever and calculating as he. But as Edward, Ehrenreich trembles with insecurity, particularly in a scene where he's delicately called out by an Irish lady (Brid Brennan), who spots him as an outsider from his shoes alone.

To her credit, Cooke is not outshone in the slim role of Clementine. Whether the imagined version where she is a yearning virgin or the real one, where she is a spoiled rich girl looking for a cheap thrill, she brings a full-blooded verve to this girl. Together, this trio weaves a tale of sex, death, and desire that touches on the best of Highsmith's works, without feeling like a shallow retread of them. Instead, A Talent for Murder plays like a superb fan fiction, imagining the inner world and grisly desires of the seminal author, without idolizing her or whitewashing her well-documented defects.

A Talent For Murder is darkly funny, freshly thrilling, and unrepentantly seductive. It's not a Ripley sequel, but it's damn close.

A Talent For Murder was reviewed out of the Toronto International Film Festival. The movie will open in theaters on Oct. 23.

SAVE $175.50: As of Oct. 23, the Dyson Airwrap i.d. is on sale for $534.49 at Amazon. That's a 25% discount on the list price.

Opens in a new window Credit: Dyson Dyson Airwrap i.d. $534.49 at Amazon
$709.99 Save $175.50   Get Deal at Amazon

Amazon has a new deal on the Dyson Airwrap i.d., which includes the Dyson Chitosan post-style serum.

If you're wanting to upgrade to the popular styling tool and pair it with the brand's own products, this is a great deal. As of Oct. 23, you can take home this bundle for $534.49, down from the usual $709.99. That's a discount of over $170.

The Dyson Airwrap i.d. is designed to make styling much easier, offering several styling functions in one device. Depending on the look you're after, you can use it to dry, curl, wave, smooth, or shape your hair, with attachments to help you switch between finishes.

One of the standout features of the Airwrap is its integration with the MyDyson app. Using Bluetooth, the tool can create a personalized styling routine based on your hair type and length, helping you achieve more consistent results each time you use it. Its styling technology is also designed to rely on airflow rather than extreme heat, so heat damage isn't a concern.

You can find this Dyson deal at Amazon right now.

TL;DR: The Insta360 Mic starts at $79.99 for a single transmitter, with receiver bundles priced at $139.99 for a 1TX + 1RX setup and $249.99 for the complete 2TX + 1RX kit. It combines a customizable E-Ink display, onboard microSD storage for 32-bit float backup recording, and AI noise cancellation.

Opens in a new window Credit: Insta360 Insta360 Mic   Shop Now at Amazon

Insta360 has spent the last few years dominating the action and 360 camera space, but even the crispest 8K footage gets ruined if the audio sounds like it was recorded inside a tin can. Enter the Insta360 Mic — the newest mid-tier option designed to bridge the gap between the budget-friendly Mic Air and the top-end Mic Pro.

Built for daily vloggers, travelers, weekend sports shooters, and podcasters, it brings high-end features down to an approachable level so you don't have to blow your whole budget on gear. Each transmitter rocks a customizable E-Ink display on the front, letting you upload your channel logo, personal brand, or even a photo of your pet to show off while filming.

Credit: Insta360

An onboard microSD card slot lets you capture 32-bit float backup tracks directly to the transmitter. If audio suddenly spikes during a loud celebration or drops during a quiet moment, the massive dynamic range keeps the sound from clipping or distorting, giving you plenty of room to adjust levels during editing. You also get a dedicated NPU-based AI chip that strips out background chatter and ambient noise without making human voices sound like a compressed robot.

If you already shoot on Insta360 hardware like the X6, X5, Luna Ultra, or Ace Pro 2, the Direct Connect feature pairs the mic directly to your camera over Bluetooth, with no receiver required. Shooting on a phone or mirrorless DSLR instead? Simply plug the included receiver in using the USB-C adapter or 3.5mm jack for a traditional lavalier setup.

A single charge gets you up to 13 hours on the transmitter alone, and the charging case bumps the total runtime to 34 hours for long multi-day shoots. You can even sync four transmitters onto a single receiver, mixing and matching with older Mic Pro units, to handle group interviews or podcasts.

The Insta360 Mic is available today, starting at $79.99 for a standalone transmitter, $139.99 for a 1TX + 1RX kit, and $249.99 for the complete 2TX + 1RX bundle with the charging case.

Tesla's Cybertruck will no longer be released in Australia and New Zealand. The company announced its cancellation in these regions in an email to customers on Friday.

"After careful consideration, plans to produce the Cybertruck for Australia and New Zealand have been discontinued," Tesla wrote. "As a result, we're unable to fulfil your reservation and it will be cancelled."

SEE ALSO: Someone drove a Tesla Cybertruck into a lake to test 'Wade Mode.' It didn't end well.

Drivers in Australia and New Zealand had been able to preorder Tesla's Cybertruck since it was initially unveiled in 2019. At the time, the company planned to start production in late 2021, eight years after CEO Elon Musk first teased the Cybertruck in 2013.

Now five years past the Cybertruck's previous manufacturing date, it seems that Australian and Kiwi customers' patient waiting has not borne the results they were promised. The Cybertruck has been removed from both Tesla's Australian and New Zealand websites, which now only offer the Model 3, Model Y and preorders for the Roadster.

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Those eager to secure a Cybertruck had been required to pay a preorder deposit of $AU/NZ150. Fortunately, Tesla has stated that all such payments will be refunded. The company has also said that customers whose preorders were cancelled will be given a one-year subscription to Tesla's Full Self-Driving (Supervised) system — provided they buy a new Model 3 or Model Y instead.

(Despite its name, the Full Self-Driving (Supervised) system does not enable Tesla's electric vehicles to autonomously drive themselves. Rather, it is a driving assistance feature that offers some automation, and still requires a driver to actively pay attention and control the car.)

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While some enthusiasts have been disappointed by the cancellation of their Cybertruck preorders, many other EV users are celebrating that it won't make it onto Australia and New Zealand's roads. Even users of the r/TeslaAustralia subreddit have shed few tears over the Cybertruck's cancelled plans in the country.

The Cybertruck has been widely derided as ugly since its introduction, with people likening it to everything from a child's drawing to low-poly video game graphics. Many have also been unimpressed by negative reports on the Cybertruck's build quality, the vehicle having been subject to multiple recalls in the U.S. where it is already available. Now drivers in Australia and New Zealand won't have to worry about it as well.

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