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TL;DR: Through June 28, Deal Days shoppers can get a lifetime subscription to 1min.AI Advanced Business Plan for $69.97 (reg. $540).

Opens in a new window Credit: 1minAI 1min.AI Advanced Business Plan Lifetime Subscription $69.97
$540 Save $470.03   Get Deal

AI subscriptions aren’t cheap, but it’s manageable if you only use one model. However, if you need tools for generating images, writing copy, analyzing documents, or translating between languages, a platform like 1min.AI is a more viable option. 

1min.AI gives you lifetime access to some of the most popular AI tools, including ChatGPT, Gemini, Mistral, and many others. It’s also only $69.97 for a lifetime subscription through June 28 as part of this Deal Days sales event (reg. $540).

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1min.AI runs in your browser and pulls a ton of everyday work into one place. You can research keywords, draft blog posts, rewrite and shorten text, generate social posts, and keep a consistent brand voice across projects. There are tools to summarize or translate documents, chat with multiple PDFs at once, and spin up slide presentations.

For visuals, you can generate images from prompts, upscale low-resolution pictures, remove backgrounds, extend edges, or turn rough sketches into cleaner artwork.

Here’s a small sample of the AI models you’ll get access to:

• GPT

• Claude 3 Opus and Claude 3 Sonnet

• Gemini Pro 1.5

• Llama 3

• Mistral models

The Advanced Business Plan includes 4,000,000 credits each month, plus the chance to earn up to 450,000 more through daily logins and other tasks. Credits are shared across writing, images, audio, and video, so you can lean harder on whichever tools you need that month.

The plan supports up to 20 members, with shared workspaces, an unlimited prompt library, unlimited storage, and unlimited brand voices. If you don’t use all your credits, they just roll over, so you aren’t missing out if you have a lighter month.

It’s only $69.97 to get a 1min.AI lifetime subscription, but only through June 28.

StackSocial prices subject to change.

TL;DR: Get lifetime access to GitMind for $49.99 and turn videos, PDFs, and ideas into AI-powered mind maps and summaries.

Opens in a new window Credit: GitMind GitMind Basic Plan: Lifetime Subscription $49.99
$169 Save $119.01   Get Deal

Ever finish reading something important and immediately forget half of it? Or sit through a long video or document and feel like the key points are buried somewhere inside a wall of text? That’s the problem GitMind is trying to solve — turning information overload into something you can actually see and understand.

Instead of forcing you to manually organize everything, GitMind automatically transforms content into structured visuals. Right now, you can get lifetime access to a GitMind Basic Plan for $49.99 (reg. $169), making it a simple one-time way to upgrade how you process information.

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You don’t need to change how you work — just what you feed into it. Paste a link, upload a file, or drop in text, and GitMind can generate:

• Mind maps that break down ideas instantly

• Summaries that highlight key points

• Diagrams that connect concepts visually

• Transcripts and structured notes from audio or video

It works with PDFs, YouTube videos, websites, images, audio files, and more, which makes it useful whether you’re studying, working, or just trying to keep your research organized. Instead of juggling multiple tools, everything gets processed in one place.

For students, it can turn lectures and readings into study-ready visuals. For professionals, it helps make sense of reports and meetings faster. And for creators, it’s a quick way to map out ideas before turning them into content.

There’s also a privacy-first approach built in, with user control over data and compliance with major security standards, which matters more than ever when you’re uploading real work materials.

GitMind doesn’t replace thinking — it just makes it easier to see what you’re already thinking about.

Get lifetime access to GitMind Basic Plan for $49.99 while the deal is available.

StackSocial prices subject to change.

TL;DR: Microsoft Office 2024 Home & Business is down to $89.97, giving Mac and PC users a modern Office upgrade with AI features, collaboration tools, and lifetime access for about $120 less than retail.

Opens in a new window Credit: Microsoft Microsoft Office 2024 Home & Business for Mac or PC Lifetime License $129.97
$249.99 Save $120.02   Get Deal

There’s a point where monthly subscriptions stop feeling convenient and start feeling like a rip-off. If you’re still paying for Microsoft 365 just to use Word, Excel, or PowerPoint, this limited-time offer is worth a look.

Microsoft Office 2024 Home & Business is down to $89.97 (reg. $249.99) — and it’s a lifetime license. No recurring fees, no renewal reminders, no oops, your subscription expired moments.

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You’re getting the essentials: Word, Excel, PowerPoint, Outlook, and OneNote. The difference this time around is how polished and modern everything feels. Performance is noticeably smoother (especially in Excel with large datasets), and the updated interface keeps things clean and consistent across apps.

There are also plenty of genuinely useful upgrades. PowerPoint now lets you record presentations with voice and video. Outlook has better accessibility tools, and Excel leans into smarter data insights.

You can still collaborate in real time, use AI-assisted suggestions, and work offline when needed — so you’re not giving up functionality, just the ongoing cost.

If you’re going to use Office anyway, you might as well own it. Get lifetime access to Microsoft Office 2024 Home & Business for just $89.97 (reg. $249.99).

StackSocial prices subject to change.

TL;DR: Microsoft Office 2024 Home & Business for Mac or PC is on sale for $104.97 and includes lifetime access to Word, Excel, PowerPoint, Outlook, and OneNote.

Opens in a new window Credit: Microsoft Microsoft Office 2024 Home & Business for Mac or PC Lifetime License $104.97
$249.99 Save $145.02   Get Deal

Office software isn’t exactly exciting tech, but it remains one of the few categories people genuinely rely on almost every day. If you already know you need Microsoft Office and don’t want another recurring subscription hanging over your head, this Office 2024 Home & Business deal is on sale for $104.97 (reg. $249.99) for a limited time.

Microsoft Office 2024 Home & Business includes Word, Excel, PowerPoint, Outlook, and OneNote for both personal and commercial use. Unlike Microsoft 365, it’s a one-time purchase, so you won’t have to keep paying monthly just to maintain access to software you probably use constantly.

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The 2024 version also comes with some genuinely useful upgrades, especially in Excel, which now handles larger datasets and multiple workbooks more smoothly. PowerPoint adds upgraded recording tools with voice narration, video, and live camera integration for presentations, while Outlook introduces stronger accessibility checks to help make emails more inclusive and easier to read.

The overall interface feels cleaner and more modern, too, with improved touch and pen support for tablets and hybrid devices. Word now includes a distraction-free Focus Mode alongside AI-assisted writing tools, while Excel adds AI-driven trend analysis, smarter visualizations, and dynamic arrays for more advanced spreadsheet work.

AI features are integrated across the suite overall, including formatting suggestions, text summarization, translation tools, accessibility improvements, and content organization designed to save you from some of the smaller but surprisingly time-consuming parts of office work.

Formerly $249.99, Microsoft Office 2024 Home & Business is available for $104.97 for a single Mac or PC lifetime license.

StackSocial prices subject to change.

As a professional critic, one of my deepest, perhaps most deranged delights is to be wrong about a movie. Basically, I've seen so many that I have a pretty good feel for how a film will hit me, based on who's made it, who's in it, or even the logline. But I relish being surprised. And John Early's latest film is a wondrous surprise, not because it's good, but because of how it's good.

SEE ALSO: 'Maddie's Secret' trailer reveals John Early as you've never seen him before

Early is known for his offbeat comedic style, on display as a performer in the genre-bending comedy series Search Party, Dropout's improvised talk show parody Very Important People, and actual talk show appearances, where he and frequent collaborator Kate Berlant commit to bits that essentially satirize celebrity. There's a provocation in his approach that came to an angsty climax in Stress Positions, a COVID lockdown comedy where his lead performance acts like a mounting anxiety attack.

With all this in mind, I imagined Maddie's Secret, Early's feature directorial debut, would also embrace cringe comedy. Perhaps especially because he stars as the title character, a woman juggling a stressful job opportunity and a trauma-rich secret. However, Maddie’s Secret offers something defiantly sweeter, even as it sends up made-for-TV melodramas from the '90s. The film is silly and strange, but even amid campy bits, sincere. So, you'll laugh at its parody elements, but may well be genuinely moved by Early's commitment to this strange and splendid film.

Maddie's Secret is a campy throwback to '90s "movies of the week."  Credit: Magnolia Pictures

Making its world premiere out of the Discovery slate at the Toronto International Film Festival, Maddie's Secret may seem like a straight-up send-up of those earnest TV movies, where a teen star (think Tiffani Amber Thiessen) would face some contemporary evil or social issue. But like A Deadly Adoption, the underappreciated Lifetime movie parody starring Will Ferrell and Kristen Wiig, there's a clear and ardent love for this admittedly trashy corner of cinema. Early is mocking elements of these movies, but crucially, his eponymous heroine is not the butt of the joke.

Maddie Ralph (Early) is an aspiring chef who begins Maddie's Secret as a dishwasher at a culinary content studio called Gourmaybe. There, she giggles happily with her bestie (Kate Berlant), a lesbian who hits on her almost as aggressively as she stares down anyone who'd dare mess with Maddie. Specifically, this means Gourmaybe's shining star (Claudia O'Doherty), who shares recipes while snarling at anyone who's not her handsy producer (Conner O'Malley). 

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At home, things are more peaceful for Maddie. Her husband is a teddy bear of a man (Eric Rahill), who absolutely adores her, insisting she's perfect. But the pressure to be perfect pushes Maddie into self-harm behaviors she developed as a girl. That pressure only amps up once her career at Gourmaybe takes off and she becomes an on-camera talent, with the vicious lens of the internet on her. 

John Early is brilliant and sly with Maddie's Secret. Credit: Magnolia Pictures

Remarkably, as a first time feature director and star, Early manages the balance of comedy, drama, and empathy with aplomb. 

The humor in this movie begins subtle. It's in the way Maddie strolls to work, getting lost in thought as she smells a flower, only to have the realization wash over her that she's running late. The performance styles in Maddie's Secret run the gamut from stiff to totally over the top. But that's by design, embracing the traditional range within these vintage treasures of '90s "movies of the week." Where Berlant goes in for goofy leering as a predatory butch, a self-aware gag that has a juicy payoff, Early leans into a much softer performance.

Some might say he's doing drag here, but that suggests a hyper-femininity that's outrageous and potentially even mocking. That's not what Early's doing. Wearing a robust set of boobs and a messy blonde wig, Early isn't being a caricature of womanhood. He's playing a woman. However, because Maddie is desperate to live up to the "good girl" expectations others have for her, the performance is smartly restrained. She is in a cage of her own making, not allowing herself to feel bad in front of anyone else. And so, a tension grows as that pain pulls Maddie into disordered eating, which makes the career that she loves a dangerous place to be. Early manages to play this arc, which veers into a rehab clinic that feels very Girl, Interrupted, with a moving sincerity and a soft silliness that keeps the movie from getting too dark. And his co-stars follow his lead with gusto.

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In this space of healing, hurt feels and firm facades abound. For Maddie's endearingly childlike roommate Julie (Vanessa Bayer), that means a cheerful exterior and an obsessive crush on a nurse (Pat Regan), who is unquestionably gay. Then, there's a trio of bad influences (Ruby McCollister, Emily Allan, and Leah Hennessey) who feel plucked from various bad girl movies to create a cool and intimidating coven. This section feels the richest in terms of representing community within girlhood. Well, at first Maddie is reluctant to consider herself anything like the people around her; it is only through sharing herself and her secret with these women that she can break out of the suffocating box she has put herself in.

I left this film in a spin, dizzy about its delicate accomplishments. Not long after, I saw Christy, the Sydney Sweeney-led melodrama, which made me only more impressed with Maddie's Secret. There, an established filmmaker and established dramatic actors fumbled the balance of social issues and accidentally fell into comedic absurdity. Here, Early and his company manage to be funny while never losing touch with the heart of this story.

Basically, John Early is a better ingénue than Sydney Sweeney, which might be the most surprising discovery of the Toronto International Film Festival.

Maddie's Secret was reviewed out of the 2025 Toronto International Film Festival. It opens in theaters in New York on June 19, and in Los Angeles on June 26.

UPDATE: May. 6, 2026, 1:44 p.m. This review was first published on Sept. 9, 2025. It has been updated for its theatrical debut.

Mashable has been testing laptops for over 10 years, and I took the category's helm in 2023. Over the past year and a half alone, the team and I have researched dozens of models and tried more than 50 of the most promising configurations available. We use a meticulous testing procedure to score our contenders on the basis of performance, battery life, design/build quality, and value.

The following guide serves as our laptop trophy case, highlighting the best-in-class models across different subcategories. For even more recommendations, check out my dedicated guides to the best MacBooks, the best Windows laptops, the best cheap laptops, and the best Chromebooks.

What's new

I revamped this guide with a bunch of new picks in mid-2026 after a new round of testing. The 15-inch, M5-powered Apple MacBook Air is our new top MacBook, replacing its M4 predecessor. The Asus Zenbook A14 is our new favorite Windows laptop, succeeding the 13.8-inch Microsoft Surface Laptop 7, which got a price hike and a successor this spring. (I plan on testing the new version.) The MacBook Neo replaces the Acer Aspire 16 AI as the best budget laptop overall (but that's still the best cheap Windows laptop). The Acer Chromebook Plus 516 is now our top Chromebook for most people, booting out the too-expensive Lenovo Chromebook Plus 14. Lastly, the HP OmniBook 3 16 is our new battery life champ, having beat our older pick, the HP OmniBook 5 14, by over seven hours of usage.

I also removed some previous picks that were no longer available at the time of writing, including the 2026 MSI Prestige 14 Flip AI+, the Lenovo Yoga Slim 7x, the Lenovo Yoga 9i 2-in-1 Aura Edition, and the 16-inch MacBook Pro (M4 Pro).

A note about ARM-based Windows laptops

Many great Windows laptops we've tried run on Qualcomm's Snapdragon X and X2 series chips, which use ARM-based architecture instead of standard x86 architecture like Intel and AMD chips. (The Zenbook A14 and OmniBook 3 16 are both two outstanding Windows on ARM laptops.)

These Qualcomm chips are great because they offer amazing performance and battery life, but they're not compatible with some specialty software, PC games, and older PC accessories like scanners. Having said that, ARM support is getting better and should dramatically improve in the near future. Right now, I would only avoid ARM laptops if you're a college student, or if gaming is the main thing you do on your PC. You can read more about this in my best Windows laptops guide.

Hayley Kiyoko's journey to her feature directorial debut, Girls Like Girls, began in 2015. That's when the Disney child star turned singer/songwriter released the track "Girls Like Girls," and its subsequent viral video, which Kiyoko co-helmed with Austin S. Winchell. 

More than a music video, "Girls Like Girls" played like a short film, complete with credits that revealed character names: Coley, Sonya, and Trenton. In 2023, this love triangle would be fleshed out in the pop star's debut novel, also titled Girls Like Girls. 

Now, after a decade of living with this story of sapphic longing and first love, Kiyoko delivers an earnest and poignant coming-of-age movie with Girls Like Girls. 

Girls Like Girls is a low-key drama of first love and heartache.  Credit: Dan Power / Focus Feature LLC

Set in 2006, Kiyoko's debut feature has a healthy dose of nostalgia for the early age of internet. The soundtrack features Tegan and Sara's yearning-rich "Speak Slow," Imogen Heap's electro ballad "Hide and Seek," and AIR's trippy "Sexy Boy."

The teens in Girls Like Girls have cell phones, but instant messaging on a bulky PC is how sheepish 17-year-old Coley (Maya da Costa) prefers to reach out to her crush, the femme and fun party girl Sonya (Myra Molloy). 

New to town in the thick of summer, Coley is killing time at a diner alone when she first spots Sonya, who's radiant in her laughter and adored by her circle of friends. With one shared glance, Sonya ushers Coley into their world, where house parties rage, lakeside hangs are recurring, and sapphic flirtations are only for when Sonya's boyfriend, Trent (Levon Hawke), isn't around. 

Kiyoko captures the easy swoon of young love with montages of the two girls finding their way into each others' arms, then breath. But as confident as Sonya seems, she wilts anytime someone begins to suspect that she and Coley are more than just friends. Having brought her own baggage to this cozy Oregon town, Coley finds the push and pull of Sonya's affections overtaking her vision of herself. Grieving over the loss of her mother and living with the estranged father (Zach Braff) that she barely knows, Coley fears that if Sonya can't love her, she's doomed to be unlovable. 

Girls Like Girls offers space for gay girls figuring it out.  Credit: Dan Power / Focus Feature LLC

For Coley and Sonya, their attraction to each other is so simple and natural that they don't initially question it. They follow it — slowly and joltingly, but keenly.

In the privacy of Sonya's girly bedroom or her family's backyard pool, they find sanctuary to explore who they are together. Like the short film inspiration from 2015, Girls Like Girls deftly captures the longing in a stare, the excitement in a stolen touch. 

As she did in the music video, Coley sports an oversized jean jacket and the very mid-2000s tattoo-choker, made of swirls of black plastic that stretch around the wearer's neck. She rides a bike, busted up, but hers. And, as teased on the book's cover, a key moment still happens poolside — though without the beat(ing) after. (Do stay through the credits for a post-cred scene worth waiting for.)

A change from the first incarnation, Girls Like Girls is less about the violence queer people can suffer from homophobes, and more about choosing joy over the fear of violence and alienation. Because while Sonya initially seems impossibly cool and untroubled, as Coley gets closer, she realizes her crush is surrounded by friends she can't trust to be herself around. So Coley is faced with the choice of who she wants to be in this new town, and if that means being a fool for love. 

Myra Molloy and Maya da Costa make a compelling pair.  Credit: Dan Power / Focus Feature LLC

Molloy could teach a class on how to flip her hair. Her breezy grace and flirtatious energy make her instantly recognizable as That Girl. Sonya makes being a teen girl look easy. She exudes joy and cool, and even when you find out it's a facade, you envy her ability to produce it. 

Sonya is a go-getter who practically drags Coley into her friend group, her pool, and her kiss. Meanwhile, Kiyoko scripts her protagonist to be almost infuriatingly passive. She's so afraid of making a wrong move, Coley is like a shadow in her own life, following behind Sonya, afraid to be in the light. Cleverly, this is actually how Coley's dad is framed for the first half of the film — as a shadow.

For several sequences, I stared into the frame at the middle-aged man speaking softly in a dim room, trying to see who he was. This staging reflects how Coley sees her dad, as someone distant and unknown. As they grow closer, he will come into the light. And she will follow, metaphorically, and blossom. Da Costa performs this evolution with aplomb.  

The romance and tenderness found in Kiyoko's music videos throbs in Girls Like Girls. She breaks from creaky conventions of queer coming-of-age tales by rejecting scenes of violence or social ostracizing that once seemed required. Her heroine is soft, too, not pursuing but being pursued. And her ending is not a promise of eternal devotion, but a small win that feels huge for a girl in love. 

Girls Like Girls opens in theaters on June 19.

It feels both impossible and inevitable that we've arrived at Toy Story 5. 

When Toy Story hit theaters in 1995, it was groundbreaking. The first release from Pixar Animation Studios was also the first animated feature created entirely with computers. Critics cheered, audiences flocked, and a toy cowboy named Woody (voiced by Tom Hanks) and a space ranger named Buzz Lightyear (voiced by Tim Allen) became instantly iconic. Then, bucking tradition, the sequel that followed in 1999 was actually even better than the original.

Introducing Jessie the Cowgirl (voiced by Joan Cusack) and her horse buddy Bullseye, Toy Story 2 expanded the world, the lore, and the themes of the first film. In Toy Story, Woody fears being forgotten by his owner, Andy. In Toy Story 2, the agony of that experience is efficiently distilled into Jessie's flashback with her first kid, Emily, scored by a rueful Sarah McLachlan singing "When She Loved Me." If you sniffled at even remembering this sequence, you're not alone. 

Toy Story 3 followed, introducing Bonnie, a new kid for Woody and his friends to play with at Sunnyside Daycare, and presenting the franchise's biggest bad yet in Lots-o'-Huggin' Bear (voiced by Ned Beatty). (Also, this third film gave us the absolute gift of Michael Keaton as Ken, years before Barbie.) Once more, critics cheered how this franchise about toys continued to mature. Toy Story 4 came nine years later, introducing Forky (voiced by Tony Hale), a spork turned into a toy by Bonnie's creativity. Though a deeply charming movie, the fourth installment didn’t feel as profound as its predecessors. And now, Toy Story 5 asks how Woody and the gang's world will change with the rise of AI and tech toys. 

In Toy Story 5, the antagonist is a tablet named Lilypad (voiced by Greta Lee), who's so addictive that analog toys worry this could mean the end of playtime. It's sort of funny to see a computer-animated movie attempt to critique the dangers of tech to a child's imagination. But as you might predict of Disney — who acquired Pixar 20 years back — there's no meaningful critique of tech toys or AI in Toy Story 5. Instead, digital devices versus analog toys become a way to explore how to find human connection.

Jessie is the hero of Toy Story 5.  Jessie squares off against Lilypad in "Toy Story 5." Credit: Disney / Pixar

Remember, at the end of Toy Story 4, Woody retired from being Bonnie's (voiced by Madeleine McGraw) toy to reconnect with Bo Peep (voiced by Annie Potts) and live in a playground as a "lost toy." Without him, Jessie has taken over as the playroom's sheriff, inspiring a bunch of imaginative scenarios of play, and making sure all the toys feel safe and seen. But a new challenge arises in Toy Story 5 when the parents of eight-year-old Bonnie (now voiced by Scarlett Spears) buy her Lilypad to help her fit in and make friends. Her peers are all online, constantly connected to The Pond (Lilypad's social media network), playing games and messaging each other with little to no parental involvement. 

No sooner has Lily arrived that Bonnie becomes zombie-like, ignoring her other toys, stressing over missing online chat sessions, and endlessly tapping the screen. Jessie fears no real friends can be made with this "device," a word that Cusack utters like a slur. So, she sets out to help Bonnie make friends in person. But some big choices lead to Jessie and Bullseye ending up far from home, where the cowgirl is forced to confront her past trauma over losing Emily. 

Meanwhile, Woody has returned to help Buzz, who's been deputized by Jessie to keep Lily in check. Though the words "AI" or "artificial intelligence" are never uttered in this movie, Lilypad's sentience leads to trouble for the toys and poor Bonnie. 

Toy Story 5 is about being the weird kid.  Bonnie plays with Jessie while other girls play on their tablets in "Toy Story 5." Credit: Disney / Pixar

It's been 31 years since I first saw Toy Story. And like that aching flashback in Toy Story 2, Bonnie's experience here hit me hard in the heart. Since she was introduced in Toy Story 3, this cute kiddo with a brunette bob, a love of color, and macabre storylines has been adored by her toys for her creativity. But to other kids, Bonnie is a weirdo. 

At the start of Toy Story 5, she's having a blast imagining a wedding ceremony where someone has poisoned the water hole maid of honor (her dramatic flourishes emphasized in a stylized animation, with softer lines and more vivid colors). But when the neighborhood twins arrive nearby, Bonnie is instantly self-conscious and flustered about how to invite them over to play. Her parents notice, and know the girls in her dance class use Lilypad to play games together online. So they believe they're helping when they present Bonnie with her own. However, as many a parent has learned, letting a kiddo go unsupervised online can lead to bullying, stress, and heartache. 

Blaze types on her laptop in "Toy Story 5." Credit: Disney / Pixar

Because the other kids favor tablets over toys, Bonnie resists playing with her toys, as she has internalized the social pressure that such behavior isn't cool. A sting of remembrance — when Toy Story first came out, I was at the point in grade school when my peers insisted we were collectively too old for dolls and toys. So, I'd taken to hiding my favorites in a small box, tucked away from judgmental eyes. I'd still play, but alone. 

In Toy Story 5, Bonnie is not alone. Through Jessie's haphazard derring-do, the toys meet Blaze (voiced by Mykal-Michelle Harris), a nine-and-a-half-year-old who is as high energy and gleefully goofy as Bonnie. She also seems to have a healthier relationship with technology. Now the trick is how to bring them together. 

It'll take a lot more than a virtual pond or a snarky tablet to save Bonnie from her aching isolation. Jessie will make new allies in some of Blaze's clunky tech devices, like a potty training toy called Smarty Pants (voiced by Conan O'Brien). And meanwhile, Woody, Buzz, and a fleet of recently unboxed high-tech Buzzes will aid in an audacious rescue effort that leads to some splendidly exciting action sequences. 

Joan Cusack is marvelous in Toy Story 5.  Jessie looks out of a closet in "Toy Story 5." Credit: Disney / Pixar

While the inclusion of high-tech toys is certainly the gimmick of Toy Story 5, it is not the focus. Instead, the story evolves into being about how to find your people. Jessie, once a lost toy, knows the pain of feeling alone. And even as she faces her fears of abandonment, she fights to save her kid from that pain. 

Jessie is a reflection of Bonnie and Blaze. She is spirited and silly, with a big heart that’s easily wounded. And yet she is brave. While Woody and Buzz get up to plenty of hijinks that are great for a trailer and some belly laughs, it is Jessie and her girls who make Toy Story 5 more than just another film in this franchise. They carve out a place for the little weirdos, to be seen and celebrated. 

Directed by Andrew Stanton, who co-wrote the screenplay with McKenna Harris, Toy Story brings back characters we love while introducing new toys for the merchandising line, including Lilypad. Yet the soul of these movies is not lost to consumerism requirements. The animation here is as winsome as ever. The story is admittedly thin, offering not one but two Buzz subplots to fill its feature-length runtime. Still, it is captivating even while uneven. But above all else, Cusack, who has been the MVP of such bizarre kids movies as Toys and Addams Family Values, commands this sequel with her unflappable moxie. 

Woody and Buzz strategize how to best Lilypad in "Toy Story 5." Credit: Disney / Pixar

Whether she is cheering for her friends or condemning her foes, Jessie is exhilarating, funny, and riveting. Cusack's performance is bolstered by a top-tier animation team who created a beautiful and gleefully alive cowgirl, and who have continued that careful illustration to a broader cast of characters. Perhaps predictably, Toy Story 5 is an unabashed crowd-pleaser. But more than that, it is a mainstream film that thoughtfully champions the unconventional. Through Jessie, Bonnie, and Blaze, this joyous sequel cheers the weirdos, acknowledging the hurt of being left out, and the heady highs of finding community through shared strangeness. 

Simply put, this sequel is wacky, warm, and unapologetically weird. Yeehaw. 

Toy Story 5 opens in theaters on June 19.

Enemies-to-lovers is a common and often hot romance trope. But what if what makes you enemies is your love? 

Being raised queer and religious can be a minefield, as all your worth and goodness might be cast aside by your community because of who you desire. In such homophobic settings, queer people are told we must deny our desires or risk being ostracized, attacked, and damned. The new Australian horror movie Leviticus explores the agony of this experience through a supernatural horror story that thunders over a tale of first love. 

Australian writer/director Adrian Chiarella makes his sensational feature directorial debut with Leviticus, a title that refers to a book of the Bible in which homosexuality is declared an "abomination." However, rather than being a film that condemns the queer boys at its center, Leviticus empathizes with their yearning and the terror caused by the parents who should love them. Brewed with equal parts desire and dread, this Australian horror thriller explores how homophobia can be the real monster in the closet. 

Leviticus is a possession tale with a unique twist.  Joe Bird and Stacy Clausen star as two boys in love and trauma in "Leviticus." Credit: NEON

Talk to Me's Joe Bird stars as Naim, a high school boy who's new to a town that's quiet, conservative, and deeply Christian. He has no friends, and is intrigued when a beautiful, curly-haired blonde boy named Ryan (Stacy Clausen) invites him to hang out. And before the afternoon is over, they've flirted, wrestled, and made out on the floor of an abandoned mill. 

Heated Rivalry fans will note a similar dynamic to Ilya and Shane, minus the hockey rivalry. Like Ilya, Ryan is cocky, showing his interest through playful barbs, and even some physical aggression. Similar to Shane, brunette Naim is excited by this muscled blonde's attention, even if he's not ready to recognize what that excitement might mean. But where the wildly popular TV show has being outed as a storm cloud that resolves relatively brightly, Leviticus goes dark, pitting the boys against each other. 

It all begins with a "deliverance healer," called to exorcise the evil out of the queer members of the church. The conversion ceremony is first conducted on Ryan and another boy. But before long, Naim is also subjected to this strange ritual. From then on, he is followed by a mysterious creature that looks and sounds like Ryan. But if they give into their desire for each other with a kiss, this Ryan lashes out, violently assaulting Naim. And he soon learns Ryan is being stalked by a doppelganger of Naim. In both cases, no one else can see their seductive assailants. No one — not the cops nor Naim's recently widowed mother (producer Mia Wasikowska) — believes him as he seeks salvation from this seeming demon. 

Leviticus awes with its ambiguity, but is ruthlessly scary.   Tyallah Bullock plays Marnie in "Leviticus." Credit: NEON

Surely, horror fans will point to It Follows as an inspiration point, as that film also dealt with a strange, stalking demon who is passed on by sexual contact. Both films certainly reflect the fear of sex and death common in horror. But where It Follows uses nude bodies to shock and repulse its audience, Leviticus only shows how Naim sees the demon — as Ryan, a handsome boy with lust in his eyes. This perspective urges audiences to understand what it is to look upon someone and both desire and fear them. This clever creature has no tells that suggest he is not Ryan, until he attacks. 

"This is what they wanted," the real Ryan seethes, "us to be scared of each other." And in this, Leviticus reveals its aching heart. Here are two boys falling in love. But their story becomes a nightmare, not because of wicked desires but because of a viciously conformative community that would rather see them dead than queer and happy. This revelation makes all the scenes that follow not just frightening but also stomach-churning. Naim desperately wants to reconnect to Ryan, the only person in this "shithole" who sees him for who he is and accepts him as he is. But because of this ritual, he can never be sure it's Ryan's eyes he's looking into or his kiss he's accepting, until the possibility of violence arises. 

By focusing on Naim's perspective exclusively, we too can't be certain of what's real. And one particular jump scare — which had me full-throated screaming — suggests that isolation is no answer either. But what to do when your community and your family reject you? This place is both home and not home. Chiarella reflects that through elegant choices in sight and sound. Cinematographer Tyson Perkins paints this small town in pale but warm hues of pinks, blues, and golds. This does not seem the kind of place where a teen boy would be ripped to pieces with a shrug from the community. But it is. Here, the score by Jed Kurzel bolsters this shudder-inducing truth, giving an eerie echo of percussion that sounds like a racing heart, running down a long, endless hallway. And yet…

Leviticus is defiant in its queer joy, despite the bleak setup.  Joe Bird and Stacy Clausen star as two boys in love and trauma in "Leviticus." Credit: NEON

While Chiarella's script does follow the supernatural horror trope of having his heroes try to chase down a solution to best their monster, Leviticus is not really about that quest. At its core, it's about Naim and Ryan and what they will choose. There is no ceremony that will magically convert their parents to compassion. If they can't fare better with a mysterious demon, what path is left? 

Some might be frustrated with Chiarella's answer. But I found it awesome. Leviticus won't give an easy answer, just as it won't lay out simple rules of how this vicious monster operates. The movie never even declares it a demon. But based on genre tropes and my own Catholic upbringing, I'm calling it a demon. 

Instead, Leviticus relies not so much on rules or rituals to build its world and message, but on the performances of Bird and Clausen. As in Talk to Me, Bird has a riveting vulnerability onscreen. Here, his eyes flicker with lust, fear, jealousy, and bliss. His slightness compared to Ryan makes him seem fragile, whether he's risking a kiss or running for his life. He is alive, and how could an audience not fall under the skin of his experience, getting goose bumps in arousal and horror right alongside him? 

Joe Bird in "Leviticus." Credit: NEON

As to Clausen, he has two roles, Ryan and the demon version of Ryan. The former is mercurial, code-switching at school to perform hetero masculinity, even as he steals a glance at his crush. When they are alone, mischief sparkles in his eyes, then joy. His self-assuredness is an invitation for Naim to join him, which makes the demon wearing his face and openness as a mask all the more harrowing. This version of Ryan switches seamlessly from provocative lover to dead-eyed terror. When idle, the demon Ryan evokes Michael Myers in his Halloween mask, standing on a once-quaint lawn. When he attacks, his smile vanishes into a ruthless sneer or an inhuman wail. And each time, I felt my breath catch in my throat, until I finally let loose a scream so loud it alarmed even me. 

All this is to say that Leviticus is a religious horror movie about being queer, but one that, despite its demon, does not demonize queerness. Nor does this thriller drown in the bleakness of religious trauma. Instead, Chiarella expertly coaches his cast to plunge into the depths of such pain, so that their characters can surface gasping for air. And because he does so with such immersive intensity, we're left gasping too. 

Supremely suspenseful, smartly done, and ultimately rebellious, Leviticus is an absolute stunner. 

Leviticus opens in theaters on June 19. 

It's impossible to watch The Death of Robin Hood and not think of Logan. Both films star Hugh Jackman, and both mar his leading-man good looks with old age makeup, scars, and mangy facial hair. In each, he plays an anti-hero whose legend is one of noble heroism but whose reality is a trail of senseless carnage. And in both, his withered humanity is revived by protecting an orphaned girl. In this comparison, The Death of Robin Hood only suffers. 

SEE ALSO: A24's 'The Death of Robin Hood' trailer teases a dark spin on the classic tale

Logan co-writer and director James Mangold created an emotionally rich drama, punctuated by breathtaking action sequences that showed new potential for superhero films viewed through a revisionist lens. The Death of Robin Hood's writer/director Michael Sarnoski, who has previously made the superb slow-burn thriller Pig and the awful horror prequel A Quiet Place: Day One, pursues a similar goal in re-interpreting the folk legend renowned for robbing from the rich and giving to the poor. But his interpretation lacks complexity, offering in its place much brooding, after a first act overstuffed with truly repulsive onscreen violence. 

There is an attempt at balance, as Sarnoski introduces female characters meant to be a soft and compassionate foil to Robin and his not-so-merry men's brutality. But that feels frustratingly reductive and shallow. 

What is The Death of Robin Hood about? Credit: Aidan Monaghan / A24

Set around 1247 A.D., this trudging drama begins on the side of a mountain, where cold winds roar across a treacherously frozen terrain. There, a haggard old man lives determinedly alone. This is Robin Hood (Jackman), an outlaw whose thievery has been praised because of the tales of how he redistributed the wealth to aid the poor. But — as the tagline for the film declares — he was no hero. 

Over and over, any chance this Robin Hood gets, he will grumble that those were lies. He and his Little John (an equally grumbly Bill Skarsgård) robbed, maimed, and murdered so many men, women, and children that he cannot remember their names or faces. So, now, he hides in isolation, apathetically fending off would-be killers who are seeking vengeance for crimes he cannot recall. It's a grim beginning, and it will only get grimmer. 

When Little John returns to him, asking for help in fighting off a family that has stolen his land and kidnapped his wife, Robin begrudgingly agrees, noting they both might die. His tone even suggests that's Robin's wish, to just be over with it all. Still, he'll battle hard for his friend, slaying not only the invading men but also employing his legendary archery skills to shoot a fleeing child through the back of his skull and left eye. 

The sound effects chosen for such moments of violence pull no punches, offering sharp cracks of bone, wretched tearing of flesh, and the squish of internal organs ripped asunder. It's stomach-churningly effective in hitting home how efficient Robin is at delivering carnage. By the end of the first act, not only have Little John's foes been felled but Robin himself has too, following a gross and grisly battle of blood, muck, and fire. To the credit of cinematographer Pat Scola, such scenes of violence are both beautiful and horrid. His shots make clear the agony and injury, but play these fights off a backdrop of blazing fire and night sky. The contrast is dizzying and exciting. But soon, this contrast and conflict will be moved to a far-off island, the colors shifting from brown and orange to grays and radiant blues. 

At an ancient priory, a gorgeous nun called Sister Brigid (Jodie Comer) offers aid to the ailing. She's taken in Robin Hood, unaware of his identity. (He tells her his name is Randolf). As his wounds heal, Little John's only child, Little Margaret (Faith Delaney), arrives on the island, orphaned and traumatized. Though at first Robin only wished to die, and failing that, to escape this blissful place of restoration, he is slowly enchanted by Brigid's compassion and by Little Margaret's thirst for a father figure. Reluctantly befriending a persistent leper (Murray Bartlett), Robin begins to consider if this might be "another life" for him — when yet another vengeance-seeking stranger turns up at the priory. 

The Death of Robin Hood is an unpleasant and cynical slog, despite a promising cast.  Credit: Aidan Monaghan / A24

Like Logan, The Death of Robin Hood functions like a revisionist Western, wherein the lifelong gunslinger looks back on his journey and wonders if all the blood he's spilled can ever be washed clean. Put another way, can a man of violence ever become a man of peace? 

Intellectually, there's something interesting in this cliche. However, Jackman's portrayal in The Death of Robin Hood feels like an echo of his achingly poignant work in Logan, but with less rage and thus less energy. Plus, Sarnoski's approach is dull and episodic. Again and again, someone will ask Robin if he recalls a particular act of violence, and he shrugs his heavy shoulders in response, his expression world-weary. And then the person explains how Robin's actions hurt them personally, to which Robin gives an inscrutable stare in response, over and over. 

It's a tedious way to establish Robin's cruelty. More irksome, he only starts to care about the consequences of his actions once he falls for the lovely nun. While Comer is a critically acclaimed actress thanks to her bold and brilliant performances in Killing Eve, The Bikeriders, and The Last Duel, she — like Jackman — cannot elevate Sarnoski's shallow script, which reduces men and women to archaic archetypes. For instance, to illustrate that Sister Brigid has desires beyond being a loving nurse to the sick and mother to the orphaned, Sarnoski includes a bizarre scene where she sneaks off at night to a cave to masturbate by candlelight. How else could he possibly show a woman could be spiritual and sexual? 

Little Margaret is similarly underwritten, existing chiefly to follow Robin like a sullen shadow with the sad eyes of a Margaret Keane painting. Noah Jupe, who earned praise last year for playing Hamlet in Hamnet, is compelling in a brief role as a boy on the brink of a pivotal decision. To Bartlett's credit, he brings some levity as a leper who talks with fearless sass, even though he knows Robin's true identity and wickedness. But with much of his face covered by bandages and, later, rotting prosthetics, his charisma is almost completely swallowed. Essentially, though most of the other characters exist to balance Robin's unrelentingly grim brooding, the balance is off. So, much of the movie is a muck of unrelenting maudlin reflection, undercutting any attempt at hope of rising above. 

Most frustratingly, from beginning to end, I couldn't get a grip on the why of it all. Not why in terms of Robin Hood's cruelty or ruefulness, but why re-imagine a figure upheld as a rebel for fairness and community as one of careless violence, unchecked cruelty, and selfishness? 

Sarnoski's past films were a more successful mix of darkness and light, offering hardened heroes who fought for joy or love, even as they understood full well the world around them was merciless and cruel. Here, however, we start with a protagonist who is merciless and cruel, and the only reason we are given to follow him, to invest in his journey, is that he is played by Hugh Jackman. Beyond that, this deeply cynical spin on the legend of Robin Hood has no discernible message beyond some trite platitude of the power of second chances. Despite its star-studded cast, and a powerful blend of hard-hitting sound effects and jolting on-camera violence, The Death of Robin Hood feels politically, spiritually, and emotionally hollow. 

The Death of Robin Hood opens in theaters on June 19.

Morale at Meta is reportedly near the worst it's ever been. To help fix it, the tech giant will offer staff more snacks.

Business Insider reports that Meta's chief technology officer Andrew "Boz" Bosworth admitted the grim mood during an internal call earlier this month, stating that while employee morale has been worse before, the current situation is "probably up there" on the scale of severity. 

SEE ALSO: Meta faces employee backlash over tracking tool

"I can think Cambridge Analytica was probably the worst," Bosworth reportedly said in the June 2 meeting. The Cambridge Analytica scandal made international headlines in 2016 after it was discovered that the firm had acquired over 50 million Facebook users' data without informed consent and used it to target voters.

Meta's current cratering morale appears attributable to recent shake-ups by management. The company conducted a mass layoff of 8,000 workers last month — amounting to 10 percent of its workforce — while at least 6,500 others were involuntarily reassigned to work on its AI models in its new Applied AI division. Employees have reportedly found the work drudging, menial, and "soul-crushing," with the overwhelming majority deeply unhappy with the change. The tech giant is further facing backlash after announcing it would track U.S. employees' keystrokes and mouse movements to train AI.

Meta CTO Andrew "Boz" Bosworth promised more investment in employee perks in an attempt to boost morale. Credit: David Paul Morris / Bloomberg via Getty Images

Bosworth acknowledged widespread employee dissatisfaction in an internal post this Monday, as reported by WIRED. Though he reportedly stated that employees will need to make sacrifices and work on jobs they find "don't find as personally fulfilling," he pledged to fix Meta's culture and make it a "fun and enjoyable" workplace.

"We've undermined the trust you have that your specific expertise and contribution will be valued, that you will grow and advance your career, and that this will be a place where you can actually have an impact," Bosworth wrote in the post seen by WIRED. "We shook up the management structure that was providing you stability while rapid changes in strategy, including the boom/bust cycle of hiring, left entire teams in the lurch."

As such, Bosworth stated that Meta will give managers a maximum of 20 direct reports and provide employees with more personalised support. He also assured employees that Meta doesn't intend to fully replace AI workers with AI, however they do need to know how to use it, and will be given access to optional "AI coaching" tools.

"We obviously did an atrocious job explaining the vision, giving people a clear picture of how we would support them and their careers in the shift, and painting a picture of how it would change over time," wrote Bosworth.

Bosworth further attempted to raise employees' spirits by promising improved snack areas, increased travel budgets, and investments in office social events. Considering the dire state of morale, it seems as though the time-honoured tradition of the office pizza party has a formidable amount of heavy lifting to do.

WIRED sighted internal memos earlier this month in which Meta CEO Mark Zuckerberg pledged there would be no further mass layoffs, and Applied AI vice president Maher Saba said that those who'd been reassigned to the team would now be allowed to apply for other roles within the company. Even so, assurances that their situation merely may not get worse is likely of little comfort to already disgruntled employees.

AI adoption doesn’t stall because employees lack ideas about how to use these tools. It stalls because they don’t trust what will happen when they share them. If you want your team to reveal their best AI workflows, focus on creating the conditions that make sharing safe and worthwhile.  Earn the disclosure you want. Remove ambiguity around AI use. Make […]

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If you like playing daily word games like Wordle, then Hurdle is a great game to add to your routine.

There are five rounds to the game. The first round sees you trying to guess the word, with correct, misplaced, and incorrect letters shown in each guess. If you guess the correct answer, it'll take you to the next hurdle, providing the answer to the last hurdle as your first guess. This can give you several clues or none, depending on the words. For the final hurdle, every correct answer from previous hurdles is shown, with correct and misplaced letters clearly shown.

An important note is that the number of times a letter is highlighted from previous guesses does necessarily indicate the number of times that letter appears in the final hurdle.

Mashable 101 Fan Fave: Nominate your favorite creators today

If you find yourself stuck at any step of today's Hurdle, don't worry! We have you covered.

SEE ALSO: Hurdle: Everything you need to know to find the answers Hurdle Word 1 hint

Bodily fluid.

SEE ALSO: Apple’s new M3 MacBook Air is $300 off at Amazon. And yes, I’m tempted. Hurdle Word 1 answer

LYMPH

Hurdle Word 2 hint

Hush hush.

SEE ALSO: Wordle today: Answer, hints for June 19, 2026 Hurdle Word 2 Answer

TABOO

Mashable 101 Fan Fave: Nominate your favorite creators today

Hurdle Word 3 hint

Scratchy.

SEE ALSO: NYT Connections Sports Edition today: Hints and answers for June 19 SEE ALSO: NYT Connections hints today: Clues, answers for June 19, 2026 Hurdle Word 3 answer

ITCHY

Hurdle Word 4 hint

A string instrument.

Hurdle Word 4 answer

VIOLA

Final Hurdle hint

To hate.

SEE ALSO: Mahjong, Sudoku, free crossword, and more: Games available on Mashable Hurdle Word 5 answer

ABHOR

If you're looking for more puzzles, Mashable's got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.

The lunar cycle is well underway, and the Moon is becoming more and more noticeable each night. Its bright crescent shape continues to grow as we head towards the First Quarter phase.

What is today’s Moon phase?

As of Friday, June 19, the Moon phase is Waxing Crescent. Tonight, 33% of the moon will be be lit up, according to NASA's Daily Moon Guide.

With just your naked eye, tonight you'll be able to see the Mares Fecunditatis and Crisium. And with binoculars, you'll also catch a glimpse of the Endymion Crater. If you have a telescope, this will help you see all this plus the Apollo 17 landing spot and the Mare Nectaris.

When is the next Full Moon?

The next Full Moon will take place on June 29.

What are Moon phases?

According to NASA, the Moon completes one orbit around Earth in about 29.5 days, moving through eight recognised phases along the way. While the same side of the Moon always faces our planet, the amount of its surface lit by the Sun changes as it travels around Earth. As a result, we see the Moon appear in different shapes over the course of a month, from slender crescents and half moons to a bright Full Moon. This repeating sequence of phases is known as the lunar cycle.

New Moon - The Moon is between Earth and the sun, so the side we see is dark (in other words, it's invisible to the eye).

Waxing Crescent - A small sliver of light appears on the right side (Northern Hemisphere).

First Quarter - Half of the Moon is lit on the right side. It looks like a half-Moon.

Waxing Gibbous - More than half is lit up, but it’s not quite full yet.

Full Moon - The whole face of the Moon is illuminated and fully visible.

Waning Gibbous - The Moon starts losing light on the right side. (Northern Hemisphere)

Third Quarter (or Last Quarter) - Another half-Moon, but now the left side is lit.

Waning Crescent - A thin sliver of light remains on the left side before going dark again.

Welcome to your guide to Pips, the latest game in the New York Times catalogue.

Released in August 2025, Pips puts a unique spin on dominoes, creating a fun single-player experience that could become your next daily gaming habit.

Currently, if you're stuck, the game only offers to reveal the entire puzzle, forcing you to move on to the next difficulty level and start over. However, we have you covered! Below are piecemeal answers that will serve as hints so that you can find your way through each difficulty level.

How to play Pips

If you've ever played dominoes, you'll have a passing familiarity with how Pips is played. As we've shared in our previous hints stories for Pips, the tiles, like dominoes, are placed vertically or horizontally and connect with each other. The main difference between a traditional game of dominoes and Pips is the color-coded conditions you have to address. The touching tiles don't necessarily have to match.

SEE ALSO: Wordle today: Answer, hints for June 19, 2026

The conditions you have to meet are specific to the color-coded spaces. For example, if it provides a single number, every side of a tile in that space must add up to the number provided. It is possible — and common — for only half a tile to be within a color-coded space.

Here are common examples you'll run into across the difficulty levels:

• Number: All the pips in this space must add up to the number.

• Equal: Every domino half in this space must be the same number of pips.

• Not Equal: Every domino half in this space must have a completely different number of pips.

• Less than: Every domino half in this space must add up to less than the number.

• Greater than: Every domino half in this space must add up to more than the number.

If an area does not have any color coding, it means there are no conditions on the portions of dominoes within those spaces.

SEE ALSO: NYT Strands hints, answers for June 18, 2026 Easy difficulty hints, answers for June 19 Pips

Less Than (3): Everything in this space must be less than 3. The answer is 0-5, placed vertically.

Equal (5): Everything in this space must be equal to 5. The answer is 0-5, placed vertically; 3-5, placed horizontally; 1-5, placed horizontally.

Equal (3): Everything in this red space must be equal to 3. The answer is 3-5, placed horizontally; 6-3, placed horizontally.

Less Than (1): Everything in this space must be less than 1. The answer is 0-2, placed horizontally.

Medium difficulty hints, answers for June 19 Pips

Less Than (2): Everything in this space must be less than 2. The answer is 1-6, placed vertically.

Number (12): Everything in this space must add up to 12. The answer is 1-6, placed vertically; 4-6, placed vertically.

Equal (3): Everything in this space must be equal to 3. The answer is 6-3, placed horizontally; 3-0, placed horizontally.

Less Than (1): Everything in this space must be less than 1. The answer is 3-0, placed horizontally.

Greater Than (4): Everything in this space must be greater than 4. The answer is 6-2, placed horizontally.

Equal (2): Everything in this orange space must be equal to 2. The answer is 2-5, placed horizontally; 6-2, placed horizontally.

Equal (5): Everything in this dark blue space must be equal to 5. The answer is 2-5, placed horizontally; 5-4, placed horizontally.

Equal (4): Everything in this red space must be equal to 4. The answer is 5-4, placed horizontally; 4-1, placed horizontally.

Less Than (2): Everything in this space must be less than 2. The answer is 4-1, placed horizontally.

Hard difficulty hints, answers for June 19 Pips

Greater Than (9): Everything in this space must be greater than 9. The answer is 5-5, placed horizontally.

Number (9): Everything in this space must add up to 9. The answer is 3-6, placed horizontally.

Number (0): Everything in this space must add up to 0. The answer is 0-4, placed horizontally.

Equal (4): Everything in this space must be equal to 4. The answer is 0-4, placed horizontally; 4-1, placed vertically.

Equal (1): Everything in this space must be equal to 1. The answer is 1-3, placed vertically; 4-1, placed vertically; 1-2, placed horizontally.

Equal (2): Everything in this red space must be equal to 2. The answer is 1-2, placed horizontally; 2-2, placed vertically.

Equal (1): Everything in this space must be equal to 1. The answer is 1-6, placed vertically; 1-5, placed horizontally.

Number (3): Everything in this space must add up to 3. The answer is 2-3, placed horizontally.

Equal (6): Everything in this space must be equal to 6. The answer is 1-6, placed vertically; 6-4, placed vertically.

Number (9): Everything in this space must add up to 9. The answer is 1-3, placed vertically; 2-3, placed horizontally; 4-5, placed vertically.

Number (2): Everything in this space must add up to 2. The answer is 2-3, placed horizontally.

Greater Than (9): Everything in this space must be greater than 9. The answer is 4-5, placed vertically; 2-6, placed horizontally.

Number (9): Everything in this space must add up to 9. The answer is 6-4, placed vertically; 0-5, placed horizontally.

Number (0): Everything in this space must add up to 0. The answer is 0-5, placed horizontally.

If you're looking for more puzzles, Mashable's got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.

UPDATE: Jun. 19, 2026, 12:13 p.m. Disney+ has posted an update on X at 10:06 p.m. ET / 7:06 p.m. stating that the issue has now been fixed. The cause of the outage has not yet been revealed.

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Original story follows.

Disney's streaming service Disney+ is currently suffering a global outage, with users reporting that they're seeing an error message when attempting to log in.

Crowdsourced outage tracker Downdetector began receiving reports of issues with Disney+ just after 6:40 p.m. ET / 3:40 p.m., with over 20,000 submitted by users in the U.S. alone by 7:30 p.m. ET / 6:30 p.m. (Disclosure: Mashable and Downdetector share the same parent company, Ziff Davis.) 

Though the cause of the Disney+ outage is currently unknown, Disney has acknowledged the issue in a post on the official Disney+ support X account.

"We’re currently investigating issues affecting login for some users and hope to have this resolved soon," the official Disney+ support X account posted at 8:49 p.m. ET / 5:49 p.m. PT. "Thank you for your patience!"

This Tweet is currently unavailable. It might be loading or has been removed.

The account has also been responding to X users' complaints by apologising and directing them to Disney+'s feedback form.

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Getting Disney+ back up soon is of the essence for many users, as the streaming service is airing the 2026 FIFA World Cup in some South American regions. Fortunately, it shouldn't be too disruptive to these soccer fans. Though matches featuring Argentina, Columbia, Ecuador, and Uruguay will be aired on Disney+ Premium in their respective countries, none are scheduled for today. The match between Mexico and South Korea is currently scheduled to kick off at 9:00 p.m. ET / 6:00 p.m. PT.

This is a developing story…

Thirty years after the original made us try to catch our toys in action, Toy Story 5 is here. And as a Pixar film, there's always one question on audience minds at the end of the film: Is there a secret scene during or after the credits?

Hidden credits scenes have become synonymous with the Disney studio, from the staged blooper reels of Monsters Inc. to the not-so-perfect dentist escape at the end of Finding Nemo. Elio has one. Inside Out 2 has one. While Toy Story's first film doesn't have an end-credits scene, Toy Story 2, 3 and 4 do.

And sure enough, there's fun in the credits of Toy Story 5.

SEE ALSO: 'Toy Story 5' review: AI toys are the hook, not the heart of this comedy

We won't spoil what happens in the scenes, but just know you should definitely stay for the credits for three reasons:

1. There's a mid-credits scene that's high drama.

2. There's a post-credits scene that's a sweet time.

3. Thousands of people worked on this film. It's nice to stay for the credits.

It's not the only Easter egg you'll find in Toy Story 5 either.

Toy Story 5 opens in cinemas on June 19.

Toy Story 5 is careening into cinemas with its foot to the floor, like a Pizza Planet employee behind on their deliveries. And if you're concentrating, you'll spy a very fast Easter egg that's become a staple in Pixar movies.

With Buzz, Woody, Jessie, and the gang back for the fifth adventure in the franchise, I had my eyes peeled for any throwback moments. And while there aren't many, one is clear as day — though it's blink-and-you'll-miss-it-fast.

SEE ALSO: 'Toy Story 5' review: AI toys are the hook, not the heart of this comedy

Without spoiling the storyline, you can spot the reference in the third act of the film. A group of characters is travelling along a rural road when a vehicle approaches, causing them all to freeze in their signature Toy Story way. It absolutely fangs it past them.

That vehicle? It's a Pizza Planet truck. Unmistakeable in its yellow-and-white body and characteristic urgency, this is the vehicle of choice for the forever flustered delivery worker from the franchise's space-themed restaurant and arcade. Pizza Planet appeared all the way back in Toy Story, when Woody tried to trick Buzz into flying home to Star Command.

The Pizza Planet truck has become a bit of a cameo classic in most Pixar films from Turning Red to Onward — of course, there are Reddit threads — and appearing in every Toy Story film (even as a tattoo in Toy Story 4). Those pizzas have got to be ice cold by now.

Toy Story 5 opens in cinemas on June 19.

Best early Prime Day deals under $25 at a glance Best earbuds deal Soundcore P30i $24.99 at Amazon (save $25) Get Deal Best Lego deal Lego Botanicals Mini Orchid $23.95 at Amazon (save $6.04) Get Deal Best streaming stick deal Amazon Fire TV Stick 4K Plus $24.99 at Amazon (save $25) Get Deal Best smart home deal Govee LED Smart Light Bulbs (2 pack) $19.99 at Amazon (save $6) Get Deal Best water bottle deal Owala FreeSip (24 ounces, off road) $23.99 at Amazon (save $6) Get Deal

Attention shoppers: Amazon Prime Day starts on June 23. In theory, you could wait to shop until Tuesday, but if you're in the mood to score some deals before the sale begins, you're in luck. Amazon tends to drop prices before the sale starts, and as long as you check on price history with camelcamelcamel to make sure you're actually getting a good deal, you might not have to wait.

For those sticking to a budget this Prime Day, consider that some of our favorite items are sitting at under $25. A great pair of budget earbuds, fancy smart bulbs, and an emotional-support water bottle are all on sale before Prime Day. Shop now, and you'll avoid potential shipping delays.

These are the top early Prime Day deals under $25, should you want to get a head start on shopping.

Best deal under $25 Opens in a new window Credit: Soundcore Soundcore P30i $24.99 at Amazon
$49.99 Save $25.00   Get Deal Why we like it

The Soundcore P30i earbuds fall well within a budget price but don't skimp out on features. As an early Prime Day treat, Amazon has them on sale for only $24.99 in select colorways, down from the list price of $49.99 at Soundcore.

According to Mashable's list of the best budget earbuds, the Soundcore P30i have the most impressive sound for an option under $50 (now under $25). "The active noise cancellation on them is impressive for their price, able to block out the bustle of busy streets or the noisy gym," wrote Mashable Shopping Reporters Bethany Allard and Samantha Mangino.

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Best TV deals ahead of Prime Day Best 55-inch TV deal Insignia 55-inch QF QLED 4K Fire TV $239.99 at Amazon (save $160 ) Get Deal Best 65-inch TV deal TCL 65-inch QM8L SQD Mini LED 4K TV $1,799.99 at Amazon (save $700 plus get a free 55-inch TCL Q65 QLED TV) Get Deal Best 75-inch TV deal Hisense 75-inch U7 Mini LED 4K TV $1,197.99 at Amazon (save $802) Shop Now

Prime Day season is one of the best times of year to buy a TV on sale. That's been etched into our mental calendars in July for the past decade, but this year, hype for one of the year's biggest shopping events starts in June: Prime Day 2026 will run from June 23 to 26. As always, worthwhile TV deals are already popping up in the weeks preceding the event.

The good pre-Prime Day TV deals aren't just at Amazon. Half the time, the reason that TV deals during Prime Day go so hard is that competing retailers like Best Buy refuse to let Amazon get all the attention — and it has already started this year. If you don't want to wait until the end of the month to grab your new TV, here are 25+ of the best TV deals I've found at Amazon and Best Buy ahead of Prime Day. Most models in this list match or beat their all-time record-low price, according to Amazon price tracker camelcamelcamel.

SEE ALSO: 15+ streaming services you can get for 99 cents, plus more early Prime Day streaming deals Best TV deal ahead of Prime Day overall Hisense 75-inch U7 Mini LED 4K TV $1,197.99 at Amazon
$1,999.99 Save $802   Get Deal at Amazon Why we like it

Hisense finally launched its highly-awaited RGB TVs on June 2. While both the UR8 and UR9 RGB TVs are on sale at Best Buy, there's another 2026 Hisense TV with a much wilder discount: The 75-inch Hisense U7 Mini LED TV is just $1,197.99 after a massive 40% price drop from its usual $1,999.99.

Just released in March, the Hisense U7 series has a pretty incredible lighting system for its price range. Its backlight benefits from full-array local dimming, which uses clusters of tiny LED bulbs that can fully turn themselves on or off for more precise contrast during any scene or livestream. Other impressive numbers include a peak brightness of 3,000 nits (great news for FIFA fans trying to watch a game during the daytime) and a native 165Hz refresh rate (great news for gamers on a budget).

Deals on 43-inch TVs and under

• Insignia 43-inch Class F50 Series 4K Fire TV — $139.99 $199.99 (save $60)

• Toshiba 43-inch C350 4K Fire TV — $139.98 $299.99 (save $160.01)

• Hisense 43-inch QD6 QLED 4K Fire TV — $199.99 $299.99 (save $100)

Deals on 50-inch to 55-inch TVs

• Hisense 50-inch E7 Cinema Mini LED QLED 4K Fire TV — $427.99 $699 (save $271.01)

• Hisense 50-inch S7N Canvas QLED 4K Art TV — $797.99 $1,299.99 (save $502)

• Insignia 55-inch QF QLED 4K TV — $239.99 $399.99 (save $160)

• LG 55-inch 75B QNED 4K TV — $399.99 $599.99 (save $200)

• Hisense 55-inch E7 Cinema Mini LED QLED 4K Fire TV — $497.99 $749 (save $251.01)

• Hisense 55-inch U6 Pro Mini LED QLED 4K Fire TV — $597.99 $849 (save $251.01)

• TCL 55-inch NXTVISION QLED 4K Art TV — $629.99 $999.99 (save $370)

• Samsung 55-inch S90F OLED 4K TV — $997.99 $1,597.99 (save $500)

Deals on 65-inch TVs

• LG 65-inch 75B QNED 4K TV — $499.99 $699.99 (save $200)

• TCL 65-inch QM6K Mini LED QLED 4K TV — $527.99 $597.99 (save $70)

• TCL 65-inch QM64L Mini LED QLED 4K Fire TV — $529.99 $799.99 (save $120)

• TCL 65-inch E7 Cinema Mini LED QLED 4K TV — $649.99 $999.99 (save $350)

• Amazon 65-inch Ember QLED Fire TV — $709.99 $849.99 (save $140)

• Hisense 65-inch U6 Pro Mini LED QLED 4K Fire TV — $749.99 $1,099.99 (save $350)

• Hisense 65-inch S7N Canvas QLED 4K Art TV — $839.99 $1,299.99 (save $460)

• Hisense 65-inch U7 Mini LED QLED 4K TV — $947.99 $1,499.99 (save $552)

• TCL 65-inch QM8K Mini LED QLED 4K TV — $997.99 $1,499.99 (save $502)

• Samsung 65-inch S90F OLED 4K TV — $1,399.99 $2,499.99 (save $1,100)

• Sony 65-inch Bravia XR8B OLED 4K TV — $1,599.99 $1,999.99 (save $400)

• Hisense 65-inch UR8 RGB Mini LED 4K TV — $1,799.99 $1,999.99 (save $200)

• Sony 65-inch Bravia 8 II OLED 4K TV — $2,799.99 $3,299.99 (save $500)

Deals on 75-inch to 77-inch TVs

• Toshiba 75-inch C350 4K Fire TV — $379.99 $729.99 (save $350)

• Hisense 75-inch QD7 Mini LED QLED 4K TV — $549.99 $799 (save $249.01)

• LG 75-inch 75B QNED 4K TV — $729.99 $999.99 (save $270)

• Hisense 75-inch U6 Pro Mini LED QLED 4K TV — $848.99 $1,399.99 (save $249.01)

• TCL 75-inch QM8K Mini LED QLED 4K TV — $1,497.99 $1,999.99 (save $502)

• Hisense 75-inch S7N Canvas QLED 4K Art TV — $1,499.99 $2,499.99 (save $1,000)

• TCL 75-inch QM8L SQD Mini LED 4K TV — $1,799.99 $2,499.99 (save $700 plus get a free 55-inch QLED TV)

• Hisense 75-inch UR8 RGB Mini LED 4K TV — $2,199.99 $2,499.99 (save $300)

• LG 77-inch C5 OLED 4K TV — $1,999.99 $3,699.99 (save $1,700)

Deals on 85-inch TVs

• Insignia 85-inch Class F50 Series 4K Fire TV — $549.99 $899.99 (save $350)

• Insignia 85-inch QF QLED 4K TV — $659.99 $1,099.99 (save $440)

• Hisense 85-inch QD6 Mini LED QLED 4K TV — $749.99 $1,099.99 (save $350)

• TCL 85-inch QM6K Mini LED QLED 4K TV — $999.99 $1,999.99 (save $1,000)

• Hisense 85-inch U6 Pro Mini LED QLED 4K TV — $1,197.99 $1,999.99 (save $802)

• Hisense 85-inch UR9 RGB Mini LED 4K TV — $3,999.99 $4,499.99 (save $500)